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In an era of cuts, what choices would you make? Three arts professionals make the case for their priorities.
Live streaming offers exciting opportunities for both small and large arts organisations in many different ways, believes Andre Portasio.
The latest cinema initiative will see English National Opera’s productions broadcast live.
Christoph Jankowski introduces Creative Europe, the new EU funding progamme for the cultural and creative sectors.
A new threat to arts funding is emerging as the Health Lottery partners with the betting industry in its battle to take a bigger slice of the market.
Alan Clarke is working on a training programme for artists who want to work in prisons. He outlines some of the challenges faced so far.
Paul Hamlyn Foundation marks its quarter century with funding for audience development to widen participation.
The Small Charitable Donations Act has just been introduced but this change to Gift Aid is not such good news, according to Bill Lewis.
Mahmood Reza explains ‘real-time information’, a significant change to payroll operations to be introduced in April.
ACE foots the bill for director’s eleventh-hour sabbatical costing taxpayers up to £200k
Chrissie Tiller says bringing opera into everyday spaces may broaden its audience.
The much maligned YTS training scheme provided Dianne Greig with her route to becoming Senior Partner at Culture Sparks
This year QUAD set out to involve all 250,000 residents of Derby in a Soap Opera. Peter Bonnell explains how they went about it
