Many arts organisations feel awkward asking their supporters to leave a gift in their will. Rob Cope offers guidance on how to tap into this long-term income stream.
Quotas in the arts failed in the 1980s. But now is the time to champion their reintroduction, across workforce and artistic programming, argues Christy Romer in the fifth in a series of articles.
Understanding who visits your website is key to developing audiences. In these infographics, The Audience Agency reveals what its tools can tell us about online arts audiences.
Birmingham may be diverse but its cultural leaders are not. Lara Ratnaraja and Helga Henry discuss how the RE:Present programme is helping to change that.
Non-English actors are encouraged to change their name and disguise themselves as English in order to be cast in productions – this will not change until we ditch limiting stereotypes, says actor Barbara Blanka.
How you ever asked yourself, “why am I frustrated and stuck in my career”? Performance coach Sally Arnold has some top tips to get things back on track.
Collaborations between university researchers and artists need careful managing. Michael Eades shares his three key tips for mediating successful partnerships.
UK-based artworks loaned overseas to museums or galleries are more at risk from seizure in Italy than they would be in other European countries. Giulia Cipollini calls for the situation to change.
The first full year’s worth of data from the Audience Finder survey raises important questions about the inclusivity of arts organisations, reports Anne Torreggiani.
What should an emerging artist know? Director of the The Griffin Gallery, Becca Pelly-Fry, and Detroit-based artist, Corrie Baldauf, offer two different perspectives.
The new online course focuses on the intellectual, critical and business elements of photography – but how does it work? Paul Cabuts outlines Falmouth’s latest MA.
How can arts organisations ensure they matter to their audiences and funders? Sara Lock has been learning from Nina Simon, author of The Art of Relevance.
