All audiences benefit from inclusive design, but most importantly it helps disabled and older people. Jennifer Tomkins and Jo Verrent share tips on how to get it right.
Crowdfunding is a growing into a vital source of finance for the arts. In their first of two articles on crowdfunding in the arts, Peter Baeck and Sam Mitchell offer some tips on successful campaigning.
Myths about arts fundraising are common, especially amongst directors and board members, says David Dixon. He identifies eight of the most commonly held ones.
Many arts organisations feel awkward asking their supporters to leave a gift in their will. Rob Cope offers guidance on how to tap into this long-term income stream.
Quotas in the arts failed in the 1980s. But now is the time to champion their reintroduction, across workforce and artistic programming, argues Christy Romer in the fifth in a series of articles.
Understanding who visits your website is key to developing audiences. In these infographics, The Audience Agency reveals what its tools can tell us about online arts audiences.
Birmingham may be diverse but its cultural leaders are not. Lara Ratnaraja and Helga Henry discuss how the RE:Present programme is helping to change that.
Non-English actors are encouraged to change their name and disguise themselves as English in order to be cast in productions – this will not change until we ditch limiting stereotypes, says actor Barbara Blanka.
How you ever asked yourself, “why am I frustrated and stuck in my career”? Performance coach Sally Arnold has some top tips to get things back on track.
Collaborations between university researchers and artists need careful managing. Michael Eades shares his three key tips for mediating successful partnerships.