Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre companies at the Edinburgh Festival Fringe.
Jenny Williams is looking forward to the day when our national cultural institutions are led by a beautiful diversity of people across age, gender and culture.
The Old Vic’s community theatre projects may be uneconomic and time-consuming, but Steve Winter and Alexander Ferris believe they make a valuable contribution to the theatre’s output.
Jessica Stockford tells how Arts & Business’ programme to recruit young employees of big companies to arts boards has proved to be a successful initiative − to the surprise of some.
With so many mergers taking place, Mahmood Reza advises that careful consideration is given well in advance to bringing together respective IT systems.
In a relatively buoyant global art scene, Mauro Herlitzka looks at the increasing interest in Latin American art, aided by an acquisition programme for UK galleries.
Working in prisons and other challenging environments is, well, challenging. Hannah Hull argues for the importance of thinking critically about what you are doing and why.
David Alston recognises that Wales’ physical attractions pull in most tourists but believes that exciting and innovative cultural work is well worth discovering too.
Hull, on the long list for UK City of Culture 2017, is already benefiting from the bidding process as it celebrates its quirkiness. Jon Flinn explains all.
Collaborations with a yacht club, fishermen and many others are set to increase engagement in the arts in the Canterbury region. Lucy Johnson describes the ‘Prosper’ project.
