Jenny Richards suggests that the work of Art vs. Rehab, and in particular its Critical Spaces project, gives practitioners the much needed opportunity for reflection and critical thinking.
The Grodzki Theatre Association has created a website where artists and educators can place films, images and texts of their work with disadvantaged groups. Agnieszka Ginko-Humphries describes how it has evolved.
As opportunities for alternative and creative forms of education and care provision are diminishing, Bridget McKenzie puts forward the case for ‘creative work’.
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London 2012 promised to inspire a generation in both sport and the arts. Recent research makes Moira Swinbank believe that this is happening but the funding must continue, as well as the buy-in from decision-makers.
Ruth Ben-Tovim describes ‘A Little Patch of Ground’, a food-growing and performance project aimed at people of all ages who have very little experience of the arts.
The Scottish Brass Band Association has recently devoted resources to developing a successful youth programme. Clair Tomalin describes how it has been achieved.
The North East Children’s Theatre Consortium ensures that fantastic theatre for children and young people remains centre-stage. Miranda Thain explains its origins and role.
Jenny Williams suggests some questions the arts sector should be asking in response to the 2011 Census findings relating to ethnicity/identity and migration.
