A breakthrough in the way that arts in health programmes are developed and researched is set to transport arts activity into the health research mainstream. Tim Joss explains the power of the new AESOP 1 framework.
Roanne Dods explains why the working practices of small-scale enterprises run by artists and creatives provide a model that is increasingly relevant in developed economies following the 2008 financial crash.
The findings of a visual arts project for people with mental health problems make the case for further investment in the arts, health and wellbeing sector, says Gavin Clayton.
A drama project has brought research on dementia to life for healthcare professionals as well as directly benefiting people with the condition. Cathy Bailey explains how.
A withering letter signed by senior academics raises serious concerns about the recent ACE review of the impact of the arts and the lack of scholarship and consultation with researchers in the field.
Liz Hill concludes that Arts Council England’s ‘This England’ report is based on a carefully constructed analysis designed to disguise a London-centric funding strategy and preserve the status quo.
Jessica Plant and Kate Davey argue that arts interventions in the criminal justice system have demonstrated positive outcomes, but longitudinal research is now needed.
The latest AP survey reveals overwhelming support for more cultural production outside the capital, but the sector is less united on how funding balance can be achieved across England.
The Digital R&D Fund for the Arts has resulted in several playful yet valuable collaborations between the arts and technology providers and researchers. Jon Kingsbury describes four projects.
'The Audience Experience' is for the academic or researcher but also provides an expanded tool box of approaches to audience insight for arts professionals willing to dig, says Ivan Wadeson.
