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ACE pledges new funding for research as review reveals the woeful lack of robust evidence underpinning claims for the instrumental impact of the arts.

Step Up Bradford 2009

Research into the wider societal impacts of the arts and culture has failed to establish a causal link between the two, according to a new report by Arts Council England.

Only 90 out of more than 500 recent studies in this area have been sufficiently rigorous for valid conclusions to be drawn.

The inadequate research methodologies often used and the absence of a theoretical framework setting out ways in which it is believed that arts and culture create added societal value are undermining measurement of the impact of arts programmes.

The report, ‘The Value of Arts and Culture to People and Society’, is based on a review of research studies published in the English language between 2010 and 2013, examining the economic, social, health and wellbeing, education, lifelong learning, and environmental impacts and outcomes of arts and culture in England.

Researchers found that weaknesses in the current evidence base limited the extent to which they were able to identify and analyse effective arts interventions, and “larger sample sizes, longitudinal studies and experimental methods” are all seen as being vital to developing the knowledge base in this area. The focus of the review was on studies that present evidence, rather than discursive material, but having removed policy and strategy documents, sector and public consultations, think pieces and critical commentary from their analysis, researchers found significant gaps in evidence.

They identified “little research that quantifies the savings to the public purse that are achieved through preventative arts and culture interventions, or other contributions to public services”. And no quality evidence was found to link the arts with international development, environment and sustainability, or science and technology, so these areas had to be dropped from the study.

Research relating to equality and diversity confirms that those who are most actively involved with ACE-supported arts and culture tend to be from the most privileged parts of society, and that engagement is heavily influenced by levels of education, socio-economic background, and where people live.

But the review did not find any further evidence to help better understand these disparities and ACE will now “look specifically at arts and cultural policy and whether this creates unintended consequences for people with any of the protected characteristics”.

ACE has described the review as “a catalyst for our thinking as we pursue new research to help develop a programme which paves the way in making a strong case for arts and culture” and is planning to do this through “greater collaboration; increased credibility; and disseminating information”.

Partnerships with specialist higher education cultural policy research units are being seen as a key part of this, and a research grants programme will be launched in autumn 2014 to which arts and cultural organisations, higher education institutions, consultants, think tanks, foundations and trusts will be invited to submit research proposals that will improve the evidence base. 

Author(s): 
Liz Hill

Comments

Humm… scary for us arts practitioners long committed to social benefit through, say, community arts. We got into it in the 1980s, having prepared ourselves through school and college for a career in legit theatre, film or television, areas which eluded us. But is the implication that reports are consistently producing not the “right” result, so let’s conduct surveys which will produce the result we wish for?

I read the report with interest but not much surprise. The difference between what the arts considers to be research and what academia does is wide. This can be addressed, working through humanities and social science techniques should improve the data. But perhaps we in the arts need to ask - Why does art have be 'good' for people? I've always found this patronising - why can't the arts infuriate people, or make them sad? For me, I want art that makes people think - and think differently. Art offers a myriad of ways to view the world. Perhaps if we asked 'Does this art make me think? we would arrive at the type of evidence we need to demonstrate impact?

Arts & Minds research into the impact of arts on prescription for people living with mental health problems is both robust (ethically approved waiting list control group methodology) and involved specialist HE partners (mental health and social inclusion specialists from Anglia Ruskin University and Health Economists at London School of Economics). The economic analysis conducted by LSE suggests our model of Arts on Prescription has the scope to be a cost effective intervention in reducing the risk of persistent moderate and/or severe depression. (An issue that House of Commons own research showed to cost the UK £9bn in 2011.) Considered from a health system perspective and compared to low intensity IAPT alone, if a recovery rate of 37.5% is achieved our Arts on Prescription scheme is demonstrated to be cost effective. We showed that our programme of arts workshops and cultural visits significantly reduced levels of depression and anxiety while increasing wellbeing measures. 61% participants reported a decrease in anxiety (GAD-7), 67% reported a decrease in depression (PHQ-9) and 83% reported an increase in Wellbeing (WEMWBS) over the course of the Arts on Prescription programme. The LSE study suggests that the cost effectiveness of the programme is also likely to improve if the intervention is scaled up. Despite the DCMS funding this research through CASE and ACE funding the extension our research does not appear in the report ‘The Value of Arts and Culture to People and Society'. It is a shame therefore that these headline conclusions of inability to show impact are being promoted.We can and do show impact with real rigor. This project is not art therapy it is delivered by artists working as artists and supported by mental health professionals in a community setting. It is most definitely illustrative of the fact that instrumental application of intrinsic qualities of the arts has an impact on those taking part. So, if you would like to read the full report and the accompanying LSE analysis you can contact me and I will send you an electronic link. mindsarts(at)gmail.com

I am thrilled that ACE is planning more funding in this area but I am also alarmed at the very poor quality of this report. If a PhD student wrote this it would be woefully inadequate, let alone a paid piece of work by a consultant at tax payers expense. For starters, a great deal of research involving quantitative and qualitative studies across the globe was missed; the inclusion dates of 2010-2013 are artificial and lack a sufficient rationale; the methodology was poorly explained and lacks coherence; and a proper and robust systematic review not undertaken; this would have uncovered a wider and more comprehensive range of research articles and reports. Poorly constructed reports such as this belong in a back office desk draw and not something that the Arts Council England funds. ACE needs to decide if it wants to move the discussion forward but if it is as ambivalent in doing so as this sophomoric report suggests, then please ignore the issue rather than causing harm as this piece of work may do. The author cannot possibly know anything about the state of arts and health research for if he had we would have been able to read a more nuanced, sophisticated and accurate portrayal. For example, a major very well-cited report funded by ACE (Staricoff, 2004) was not included because of the artificial inclusion dates of 2010-13; the well-cited state of arts and health in England article (Clift et al, 2009) published in Arts & Health: An International Journal for Research, Policy and Practice also was ignored. A 2013 RCT study focusing on singing and dementia in Finland and published in The Gerontologist, a world leading journal, was ignored. Several large scale longitudinal studies from Norway and Sweden were absent. A Google Scholar search would have revealed these sources; imagine what a proper systematic review using commonly employed 'search engines' (e.g. PubMed, PsychInfo, Scopus, ERIC, etc.) would have uncovered. I expect more from one of the largest arts funding bodies in Europe; I expect quality, rigour, objectivity, fairness, and above all, an understanding of the field the writer is reporting on. Little of that was present in this report.