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The gallery will hold regular ‘Autism Hours’ with dimmed lights, reduced noise and break-out spaces available.
Andrew Miller, a regular visitor to the Edinburgh Festival Fringe, shares his shocking experiences of inaccessible venues, poor seats and the city’s precarious pavements.
The UK and Poland were the only EU countries that didn’t contribute to a major new report on how arts organisations and policy makers can help migrants.
What should people working in the arts do to support writers in their early years? Steve Dearden, co-founder of the The Writing Squad, offers his thoughts.
Graeae has successfully developed D/deaf and disabled audiences across the UK. Richard Matthews explains the principles and strategies that guide their marketing work.
A series of portrait-painting events exploring and celebrating diversity engaged both live and online audiences. Mandy Fowler explains how people from all around the world got involved.
A new guide is aiming to increase opportunities for disabled children and young people to participate in music-making.
Be prepared to make mistakes and consider reaching out to other organisations running relaxed events, says Kate Lovell.
All audiences benefit from inclusive design, but most importantly it helps disabled and older people. Jennifer Tomkins and Jo Verrent share tips on how to get it right.
Angry at the continuing discrimination against disabled people as well as the inadequate access in many venues, Andrew Miller reflects on the challenges disabled people need to overcome to make it in the arts.
The new Artistic Director has announced a series of inclusive measures, including free tickets for drama and performing arts students in the city.
Sound and lighting will be adjusted and movement between the auditorium and the foyer will be encouraged to welcome people living with dementia to the theatre.
How much dance does an Access and Education Projects Coordinator at Phoenix Dance Theatre actually get to see? Emily Labhart shows us a week in her world.
A pilot programme by National Museums Liverpool has successfully used drama to train health care professionals to support people to live well with dementia.
Arts Council England has committed £5.3m to a scheme aimed at developing greater resilience among organisations contributing to wider diversity in the arts.
A new commissioning round focuses on access and diversity in a bid to address issues raised in the White Paper and Warwick Commission report.
Two years after hosting its first dementia friendly performance, West Yorkshire Playhouse has released a best-practice guide to putting on similar shows.
Bon Culture has apologised after physical access issues and high ticket costs prompted anger at its conference last week.
Following shocking access at the Theatre 2016 conference, Andrew Miller asks: is this why so few disabled people work in theatre?
MPs have heard from an academic in favour of introducing national museum entrance fees, but been warned by Sir Neil MacGregor to “meddle with great caution”.