Orchestrating a greener future

11 Oct 2010

Stephen Maddock reveals how touring live shows while lowering carbon emissions and costs can work in harmony together

Make a stand… and deliver

11 Oct 2010

Michaela Crimmin reviews how artists are making a physical difference to the environment

Making a merger work

A face on two hands
11 Oct 2010

Are two heads better than one? Mahmood Reza explains why and how arts organisations can merge to ensure survival and success

Need to know

27 Sep 2010

Need advice on work matters? AP hunts down some answers

27 Sep 2010

From maths to monsoons, Judith Dimant reveals how Complicite made it to Mumbai – despite two false starts

In the public eye

27 Sep 2010

Public art is all too often derided and overlooked by a sneering national press, but it’s time we appreciated the breadth of experience on offer says Claire Doherty

A climate of change

27 Sep 2010

Lindsay Endean and Gareth Veal explain how arts organisations can measure their carbon footprints – and then start reducing them

A graduate incline?

27 Sep 2010

What can the Creative and Media Diploma offer schools, students and the arts sector at large? Catherine Rose explains

Vetting and barring

27 Sep 2010

Organisations working with children and vulnerable adults are subject to a plethora of rules and regulations. Keith Arrowsmith explains how you can work safely and legally

Band of glory

27 Sep 2010

From classrooms to concert halls, music is instrumental to the success of the UK economy says Deborah Annetts

Playtime for youth music

27 Sep 2010

Music education need not be confined to the classroom, Georgie Goddard and Lyndall Rosewarne desciribe how Power Play makes a difference

Winning when you’re singing

27 Sep 2010

You don’t have to be a professional to enjoy the benefits of singing – Sarah Robinson explains why Making Music insists we all have a go

Progress and profit

13 Sep 2010

Sarah Thelwall outlines clear models on how to develop mixed income streams for your organisation

Sense and structure

13 Sep 2010

How are arts organisations operating in the twenty-first century? Nosheen Iqbal introduces five different ways of working

Launchpad to success

13 Sep 2010

How did Cockpit Arts learn to fly with creative business incubation? Vanessa Swann explains

Upgraded but downbeat

13 Sep 2010

Francis McKee explains how the Centre for Contemporary Arts flourishes

Unorthodox methods

13 Sep 2010

Matthew Foster on the gradual transition from core funding to generated revenue

Stepping in, stepping up

13 Sep 2010

If more companies want to start outsourcing work, then freelancers better be ready, willing and able to meet the demand. Ruth Garnault preps the troops

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