For small arts companies, it’s a fiercely competitive time to be applying for funding from trusts and foundations. Annie Rigby and Natalie Querol share their very different experiences.
When audiences for her contemporary circus tours stagnated, Rachel Clare of Crying Out Loud realised a fresh approach was needed. She reveals how Circus Evolution has revolutionised circus marketing.
Remember Dolly Parton’s work ethic and surround yourself with love: Bryony Shanahan – from the team behind ‘Bitch Boxer’ – shares her top tips for starting a theatre company.
The UK’s arts and cultural sector has borne the burden of EU law for long enough – we have nothing to fear from leaving the EU, says Harriet Bridgeman.
The decision of UK citizens – to stay or leave the EU – will affect the cultural life of future generations all across the continent. So how do European citizens hope they will vote? Katherine Heid shares her perspective.
To truly increase diversity, the arts sector needs to take collective responsibility for equality. How? Jenny Williams and David Bryan make some suggestions.
When Annette Petchey moved to the north of England she was shocked at the low prices for visual art. She explains how New Light is now supporting northern artists.
Are fundraisers too scared to take risks? Michelle Wright examines the issue and asks three arts fundraisers what they’ve learnt from their own failures.
Being disability-friendly isn’t just about physical accessibility. Alistair McDonald explains how Chase Park festival ensures it is inclusive and welcoming of everyone.
How can small arts organisations fundraise more efficiently? Joanna Ridout shares her tips for attracting greater investment whilst filling in fewer forms.
The arts sector still has enthusiasm for digital technology but some are now taking a more cautious approach, according to a recent survey. Sam Mitchell discusses the findings.
At the start of their careers, artists need more than just brilliant ideas - they need to develop skills that will enable them to shape and sustain their practice. Ann Drew explains how applying for an enterprise award can help them achieve this.
When you look at a painting in a gallery, do you ever wonder how it got there? David Gosling explains how to stay cool and focused whilst moving priceless pieces of art.
