Fewer ethnically diverse creatives are employed, study finds

21 Mar 2022

Ethnically diverse creatives are experiencing increased job insecurity and financial instability post-Covid, according to a University of Manchester study.

Researchers found 29% of respondents are in employment a year after the first lockdown – 22% less than in 2020 – with 44% saying they are now "financially unstable" or need immediate assistance to pay their bills.

30% of respondents had left the creative and cultural industries for another sector, raising concerns about backsliding diversity in the sector.

Dr Anamik Saha of Goldsmith University’s Centre on Dynamics of Ethnicity said the Black Lives Matter protests translated into relatively few new opportunities for Black creatives.

“Our hope is that in shining a light on their circumstances, media and cultural organisations can better support creative workers from minoritised communities, ensuring fair and equal treatment during these difficult times.”

Cultural tourism yet to recover from Covid

inside of Natural History Museum
14 Mar 2022

There is optimism pre-pandemic interest will return, as sites retain high membership rates in a “really good start” to the new year.

ACW pursues strategy for Welsh language and arts

04 Mar 2022

The Arts Council of Wales (ACW) is seeking views on the role of Welsh in the arts to form a new strategy.

Stakeholders are being invited to join a bilingual discussion about language and art at 4pm, March 9. Two sessions have already taken place.

"We want to hear the voices of people who can speak or who are learning Welsh but we also want to hear the voices of people who do not currently speak the language. Everyone’s views and experiences are key to this strategy," ACW says.

The funder has recently mapped the use of Welsh in the arts and appointed a Welsh Language Enabler, Einir Siôn, who will lead the discussions.

"This will not be a platform to air complaints but an opportunity to discuss positive ways of creating change," Siôn said.

Should buying a ticket really be this hard?

a crowd of people watch a performance
02 Mar 2022

Buying tickets online is something people do every day, for thousands of events, on millions of websites, all around the world. But, as Kathryn Mason writes, it’s not always plain sailing.

Avoiding the pitfalls of partnership

hands connecting
22 Feb 2022

Sometimes it seems like successful artist/academic partnerships all come down to agreement over who’s paying for the tea and biscuits, writes Glenda Cooper.  

Digital key to removing music education inequalities

10 Feb 2022

Funding digital innovation will be key to overcoming inequality in music education, a new report says.

Youth Music Charity NYMAZ led an eight-year programme supporting Music Education Hubs to provide online instrumental tuition.

Its conclusive report, Connect: Resound, found online music education opportunities help remove barriers and supporting inclusive and diverse teaching.

The programme reached more than 420,000 viewers through livestreamed events and delivered training to almost 8,000 professionals.

NYMAZ Director Sarah McWatt says the pandemic accelerated the demand and development of digital skills.

“The overarching challenge is how best to address wider inequalities and societal digital poverty, especially in rural and displaced communities and with those who suffer economic hardship.”

Creative teachers offer the most industry experience

Children and Teachers look at an Abstract Painting
02 Feb 2022

A new report recommends long term funding to allow more schools to embed opportunities to work with industry partners.

Culture in crisis

visitors to a museum during the pandemic wearing facemasks
02 Feb 2022

Ben Walmsley reports on the key findings from a 15-month research project into the effects of the pandemic on the cultural sector.

Outdoor arts into the mainstream

02 Feb 2022

The main challenge for arts in outdoor spaces is that policymakers and funders tend to focus on art in buildings. But in a new report, Simon Chatterton says its time has finally come.

Digital ‘no substitute’ to traditional libraries

01 Feb 2022

Most adults think digital services are an inadequate replacement for traditional libraries.

More than half (57%) expressed their preference for in-person services in a survey by the University of Strathclyde, Glasgow.

Just under a quarter (22%) agreed an online replacement was adequate.

The number of people using digital library services was up 11% last year on pre-pandemic levels, amounting to one fifth of all library users.

University of Glasgow professor David McMenemy, one of the research leads, said the findings suggest people missed libraries during the lockdowns.

"They are also social spaces at the heart of communities."
 

Digital award winners embrace new audiences

27 Jan 2022

Those who showcased best practice in digital leadership did so by addressing the challenges of the pandemic.

How might culture engineer levelling up? 

Light installation
25 Jan 2022

DCMS is calling for evidence for its latest inquiry on the levelling up agenda. Jason Jones-Hall has been analysing initial data from place-based funding streams and shares his findings. 

Mediating the ‘colonial gaze’

Image of the debating colonial photographs installation
25 Jan 2022

In times when the coloniality of many institutions is being called out, Paul Basu negotiates the ethics of displaying images and artworks gathered on a colonial expedition. 

Ways of working with universities revealed

performers dance in front of a lit up building
25 Jan 2022

One of the largest surveys ever undertaken between the arts and academia produced some new perspectives on how collaborations can be forged. Evelyn Wilson and Emily Hopkins share their insights.

Quarter of live music events cancelled

24 Jan 2022

More than a quarter (26%) of live music shows scheduled for the first three months of 2022 have been cancelled.

New research from industry lobby group LIVE says a “perfect storm” of Covid and Brexit have damaged public confidence.

Fear of further restrictions was cited as one of the main reasons for cancellations.

Concerns remain over Brexit, with 90% believing it will negatively affect the industry once markets fully reopen.

44% of upcoming shows featuring international artists have been cancelled. 

LIVE CEO Greg Parmley welcomed restrictions on live music venues coming to an end, but said the industry still faces serious challenges.

“It will take a long time for us to recover from the worst period in history of the industry and the Government need to fully understand the challenges we face.”
 

Disabled creatives marginalised by lack of knowledge

performers from La Ribalta Theater take part in a production. four girls are on stage, one looking forward, three looking backwards, all wearing white dresses
17 Jan 2022

There’s better guidance in the UK, study suggests, but work remains to remove structural barriers across Europe. 

Parents support creative university degrees

13 Jan 2022

UK parents are in favour of university-level creative courses and recognise their economic benefits, new research indicates.

A study conducted for Universities UK found 65% of parents agree that creative degrees benefit the UK economy, with 69% saying students on these course gain skills to power the creative industry.

Two thirds said the pandemic has caused long term damage to the UK’s creative industries.

In response, Universities UK is launching MadeAtUni: Creative Sparks, a campaign to showcase creative talent and encourage the Government to support creative university degrees.

Universities UK Chief Executive Alistair Jarvis said universities are central to the UK’s creative excellence: "They’re where the nation’s creative sparks are ignited."
 

A ‘revolutionary’ disability arts movement 

A female wheelchair-using dancer rests on her back, another female dancer balances on her head using the wheelchair for support
11 Jan 2022

Ten years on from London 2012, disability arts programmes continue to impact artists and audiences around the globe. Tim Wheeler reports on the British Council's work in disability arts.

More inclusive classical music

violinists play classical music in an orchestra
05 Jan 2022

Poor quality data about classical music is a significant obstacle to understanding its lack of diversity. But Anna Bull thinks ACE’s new research provides some valuable insights.

Creative arts tops job satisfaction poll

20 Dec 2021

Creative arts workers are the most satisfied in the UK, new research indicates.

Conducted by insight platform New Possible, the What Workers Want study found job satisfaction in the creative arts to stand at 81%, the highest of 14 industries surveyed and 9% higher than the UK average.

35% of creative arts workers said they were likely to look for a new job role in the next 12 months, ranking the industry sixth lowest, against a UK average of 40%.

Respondents cited unhealthy work culture, poor leadership and poor work-life balance as the main reasons for looking for new roles.

Across sectors, job satisfaction was highest amongst those aged 18-24, despite younger workers being more likely to search for new roles.

“The truth is that many young workers are simply unwilling to settle for the kind of working lives that their parents and grandparents experienced,” New Possible Founder Nate Harwood explained.

“This represents a major challenge to many employers who are struggling to attract and retain workers.”

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