Earlier this year Unlimited Theatre became the resident company at the West Yorkshire Playhouse (WYP). Jon Spooner, Unlimited Theatre’s Creative Director, and Sheena Wrigley, West Yorkshire Playhouse’s Chief Executive, reflect on the relationship.
What happens when audiences give feedback to artists and composers as part of the process of creating new work? Andrew Burke decided to find out – and liked what he found.
In Memoriam giving remains one of the most under-developed and reactive methods of raising funds within the whole voluntary sector. Yet the opportunities it presents for both securing significant levels of income and building powerful, long-term relationships with supporters is almost unique. John Grain explains why.
The impact of participatory art on the experience of new migrants and their interaction with a new cultural environment is now the subject of a European research project. Nancy Hogg explains.
Will there be a mismatch between the vision articulated in the Henley Review of Cultural Learning and the strategies for making it a reality? Sam Cairns examines the evidence so far.
Ellie Manwell explains how bringing digital technology into the gallery space is helping Dulwich Picture Gallery enhance the visitor experience and connect with audiences
The relationship between the arts and sport has deep roots and will outlive the temporary spotlight cast on it by the Cultural Olympiad. Doug Sandle explains why
As the tide turns against unpaid internships, other solutions are needed to help graduates gain vital work experience. Kate Danielson explains why paid work placements could be part of the solution
Harper Ray explains how Globe Education is producing education resources that are as vivid for those further afield as for those attending the production
This September Southbank Centre will showcase twenty-three music and dance pieces created by an international band of seventy-two members. Justin Spooner explains how digital technology was integral to the project
