The pandemic has forced us all to think differently - about the work we do, the way we work, and about how we plan and strategise, say Cimeon Ellerton-Kay and Natalie Hall.
Theatres have always been spaces to be heard in. That’s why we have an auditorium and an audience. Rhys Thomas unpicks their purpose in the 21st century.
Buying tickets online is something people do every day, for thousands of events, on millions of websites, all around the world. But, as Kathryn Mason writes, it’s not always plain sailing.
Creating trust, promoting equity and putting cultural democracy at the heart of the vision for Coventry 2021 has been key to its success, says Kate Danielson.
Sometimes it seems like successful artist/academic partnerships all come down to agreement over who’s paying for the tea and biscuits, writes Glenda Cooper.
For Amy Golding, creating a new play starts with an encounter that sparks inspiration, followed by working with a community invited to share the journey.
Being purpose driven and mission driven through the pandemic set Farnham Maltings up for success long into the future, just when they needed it most, as Paul Fadden reports.
There are many reasons why arts organisations seek to diversify their staff and creatives, but there’s only one result: exciting, meaningful cultural outputs, says Inc Arts UK.
Choosing a multinational oil and gas corporation as the major sponsor of a climate change exhibition sounds like something straight out of 'The Thick of It'. But, says Justin Williams, Shell's corporate sponsorship of the Science Museum is no fiction.
Audiences have had almost 24 months of remote engagement with culture. It’s now time to share evidence, learning, success and failure for the post-pandemic landscape, argues Fiona Morris.
The nature of arts marketing has shifted over recent years with knock-on effects on relationships with producers. Howard Buckley assesses the opportunities of this new way of working.
Since Britain’s exit from Europe, we have no longer been able to compete for European Capital of Culture. But, as Kully Thiarai writes, Leeds decided to do it anyway.
The main challenge for arts in outdoor spaces is that policymakers and funders tend to focus on art in buildings. But in a new report, Simon Chatterton says its time has finally come.
