Twenty-five years after writing an article about his concern for ‘the future of black arts’, David Bryan considers whether progress has been made and looks to the future.
After being met by a sea of white faces at a recent industry event, Rebbecca Hemmings says it’s time for Birmingham’s arts sector to face up to its diversity crisis.
We accept income as a strong predictor of cultural taste. But why should this be, asks sociologist Aaron Reeves. And does taste matter as much as actual participation?
Angered about how few young people with learning disabilities are involved in the arts, Richard Hayhow urges the sector to open its eyes to the talent and creativity out there.
The causes of under-representation of disabled people in the arts and cultural sector workforce will be examined by a research project hoping to achieve greater access to opportunities.
Full-time working women earn less than men doing the same level of work at all stages in their careers, with the gap at senior levels having grown since 2006.
The Sustainability in Production Alliance has outlined ten social, environmental and economic sustainability goals for the UK’s live production sector to achieve within the next ten years.
The proportion of students studying drama, music and dance is consistently lower for children from backgrounds of high deprivation than their more well off peers, according to new figures.
The evidence suggests that a diverse workforce will bring a diverse audience. So it’s time for the arts to be bold and lead the diversity charge, says Sam Colt.
Being a young, female leader in the arts is a novelty - one Isobel Colchester has come to realise she must explore and celebrate, if she is to help challenge gender inequalities.
