We’ve heard what the three main political parties would do for the arts if they won power in May. Paul Kelly cuts to the heart of the matter.
Reading the party political submissions in recent issues of AP is a little like watching shopkeepers display their wares whilst a fire burns down the distribution depot they rely on for supply. All three are good at setting out their stall but none knows whether their products will be available for long. Culture has never loomed large in electoral campaigns. Its greater profile now is a sign that culture and arts are more central to the political script. But, knowingly or not, the... more
Kate Hartoch examines how far circus has come in the past decade, and looks ahead to an exciting future.
Marcus Romer shares the sites he couldn’t do without.
Looking for advice? AP finds the answers to your questions
Jo Kelly shares seven tips for writing effective marketing emails, without sounding like a spammer.
We’ve heard what the three main political parties would do for the arts if they won power in May. Paul Kelly cuts to the heart of the matter.
A site-specific theatre production can help local people to connect with the stories being told, explains Frances Land.
Where did the site-specific idea come from? And can an artist ever really know how it will turn out? Gillian McIver traces its emergence and looks forward to future developments.
Lacking a specific base for arts work does not need to stop it from happening, as Claudia Zeiske explains.