If ethical questions lead us to pick and choose what is right and wrong from an artistic perspective, or to judge the credentials of our corporate funders, where do we stop? Michelle Wright calls for more debate about the moral high-ground of art, in the context of what arts organisations need to do to survive and thrive.
Sponsorship in the spotlight
Following the ruling that Tate should disclose the details of its BP sponsorship, Anna Galkina explains why arts organisations must choose their commercial partners carefully.