Should textual information in galleries be made easier to understand? Jennifer Locke reviews Dany Louise’s contribution to the debate around ‘artspeak’.
Online sales of art may have grown significantly in the past year, but artists and galleries must work hard to attract a digital audience, warns Eric Sparre.
Community members and arts and heritage organisations can all benefit from volunteering if some basic principles are followed. Abigail Kay explains what good practice looks like.
Through Tate's Circuit programme, galleries across the country are illuminating the voices of young people and delivering significant cognitive, social and emotional benefits, says Mark Miller.
Academics and one of the country’s major art galleries have joined forces in a model of collaboration which, say Sue Hayton and Natalie Walton, challenges each other’s practice and thinking.
Glasgow will be hosting the Turner Prize next year for the first time. Marie Christie believes that a partnership approach will make the event stronger and its reach wider.
Creating a level playing field for visual artists is the aim of online gallery Outside In. Kate Davey tells how its surgery days show artists how to display their work online.
Finding out what young offenders are good at and drawing it out of them can change their lives. Jane Bryant discusses Artswork’s programmes based around the Arts Award.
