Why would a theatre want the hassle and financial risk of producing its own productions rather than just presenting touring shows? John Baker explains why – and how – the Marlowe Theatre is doing both.
A publicly accessible website will be home to digitised contemporary art in a major research and archiving project that will explore how cultural heritage in the visual arts can be safeguarded for future generations.
Mila Oshin describes a cross-artform showcase that presents the work of like-minded artists, many of whom have been ‘emerging’ for their whole careers.
Rob Smith has found a sustainable model for working with artist educators that provides artists with an income stream relevant to their field of work and doesn’t depend on public funding
