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Evaluating un-ticketed events in ways which are meaningful and sustainable is a challenge that Anne Torreggiani has faced on many occasions. She reflects on her experiences
Jenny Secker on introductory arts courses for people with mental health problems.
David Brownlee on our audience development story
Six years of audience development work has not upped engagement levels
Liz Hill argues that now is not the time to put our heads in the sand about the impact of audience development activity in the arts
Toby Lowe considers the role that participatory arts can play in social inclusion
Sarah Perks argues that the value of education and engagement programmes cannot be overlooked when cuts are being made
Videogaming has moved from teenage bedrooms to cultural spaces, says Tracey McGarrigan, but what can artists really learn from their computer consoles?