Dominic Cavendish reflects on the continuing acceptance of recorded and live cinema screenings of theatre which are taking the place of live productions.
On Saturday November 2 the National Theatre will turn into the South Bank’s answer to Broadcasting House. A television production crew will colonise it to beam its 50th anniversary gala, via satellite, live to the nation (on BBC Two) and to cinemas around the world. A showcase of such logistical daring has never been attempted in the theatre’s history. Nicholas Hytner, the NT’s supremo, is going to town with a cavalcade of 100 actors performing 26 extracts.
As David Sabel, the executive producer of the evening, suggests, it’s like “the National’s equivalent of the Olympics opening ceremony”. Yet when we meet, the young American could hardly seem more confident. As the National’s director of broadcast and digital, he has delivered its NT Live programme, an experimental initiative so successful that some two million people to date have watched NT shows on the big screen, in a vast geographical spread.
Though co-produced by the BBC, to all intents and purposes the 50th anniversary shindig is an in-house NT Live event – the first to be seen on the small screen. “No disrespect to the BBC, who have been fantastic,” Sabel says, “but you couldn’t do the kind of show we’re doing if it was just the BBC coming in and filming it. The broadcast element of it is being created by us at the same time as the event itself. Normally when we do NT Live the production already exists – here we don’t have that safety net, so they’re both being developed on the same track.”
On Saturday November 2 the National Theatre will turn into the South Bank’s answer to Broadcasting House. A television production crew will colonise it to beam its 50th anniversary gala, via satellite, live to the nation (on BBC Two) and to cinemas around the world. A showcase of such logistical daring has never been attempted in the theatre’s history. Nicholas Hytner, the NT’s supremo, is going to town with a cavalcade of 100 actors performing 26 extracts.
As David Sabel, the executive producer of the evening, suggests, it’s like “the National’s equivalent of the Olympics opening ceremony”. Yet when we meet, the young American could hardly seem more confident. As the National’s director of broadcast and digital, he has delivered its NT Live programme, an experimental initiative so successful that some two million people to date have watched NT shows on the big screen, in a vast geographical spread.
Though co-produced by the BBC, to all intents and purposes the 50th anniversary shindig is an in-house NT Live event – the first to be seen on the small screen. “No disrespect to the BBC, who have been fantastic,” Sabel says, “but you couldn’t do the kind of show we’re doing if it was just the BBC coming in and filming it. The broadcast element of it is being created by us at the same time as the event itself. Normally when we do NT Live the production already exists – here we don’t have that safety net, so they’re both being developed on the same track.”