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Co-founder Jonathan Harvey explores the history of Acme, from charitable housing initiative providing affordable spaces for artists, to gallery, to a celebratory exhibition of the work they supported in the early years.

Setting up Acme Studios in 1972 was driven by necessity. As a group of recent graduates coming out of Reading University Fine Art Department, it was about thinking: ‘We have to get to London, London is where it’s happening. How on earth does one afford to have a space to live and work there?’

At that time, there were a lot of boarded-up, unused premises in east London – one or two of our contemporaries had made approaches to the Greater London Council (GLC) and had successfully negotiated an odd shop here or an old house there. This alerted us to the possibility and we went direct to the GLC and said: ‘Look, there’s all this empty property that’s just sitting there unused.’ Much of it was destined for major housing redevelopment which was delayed because of the economic down-turn. The GLC responded: ‘Well, you’ve got two alternatives, one is to squat, but we’ll get you out, and the other is to go away and form a housing association.'

It took seven people and ten pounds each to register as a charitable housing association. The GLC transferred two properties in Bow on Devons Road – I had one and my co-founder David Panton had the other. Each had a 21-month life, no utilities, and were in appalling condition, but when you’ve got no money and there’s a lot of space – even though it was short term – we made very good use of them.