Universities and the cultural sector can work in partnership to drive innovation, widen participation and engage a broader public, writes Deborah Bull.
Liz Hill reflects on a Warwick Commission debate which revealed the enthusiasm of the creative industries for better creative and cultural education in schools – and the barriers to making it happen.
Jim Beirne describes how Newcastle’s Live Theatre has created a portfolio of creative enterprises to support the theatre's core new writing and education work.
Jonothan Neelands warns that although creativity and cultural vibrancy are part of our shared DNA, the flourishing Creative Industries will wither unless attention is paid to their delicate root system which relies on public subsidy to survive.
Young musicians are benefiting from youth ensembles, but concerns are growing over their financial stability and the difficulty of recruiting musicians.
Three-quarters of income at the self-financing venue came from ticket sales and admission charges in 2013, though almost a half of all tickets were priced at £5.
