Why do we see the world’s finest contemporary dance companies in our theatres across the UK? Because Dance Consortium has made it possible and viable, says Heather Knight.
How do we put a proper measurable value on creativity and how do we realise that value for the people who have the original ideas? Charlotte Jones seeks some answers.
David Edmunds describes how funding will allow Dep Arts to develop new approaches to increase access to contemporary dance and theatre while programming original and inspiring shows.
How can education in galleries thrive in the face of challenging times for culture and education more generally? Jane Sillis is encouraged by the opportunities across the UK.
The relationship between the arts and sport has deep roots and will outlive the temporary spotlight cast on it by the Cultural Olympiad. Doug Sandle explains why
Julia Rowntree, with Russell Willis Taylor and Anna Ledgard, reveal how a focus on practical and effective ways to create real value can sit at the heart of successful fundraising
The Royal Northern College of Music and Opera North have a long history of working together. Liz Rowley explains how the formalisation of this relationship has led to exciting new opportunities
