Working with a children’s hospice has allowed Birmingham Hippodrome to make its productions accessible to families who might otherwise miss out, and it has learnt a lot along the way, says Nichole Cooper.
A £37m capital project is always going to be demanding, but throw in Grade-II listed status, asbestos and Roman remains and you’ve got a real challenge. Graham Lister explains how Storyhouse Chester managed it.
Communicating ideas clearly and maintaining artistic integrity can be difficult in any collaboration – let alone one that straddles language barriers. Ellen McDougall explains how the Gate Theatre overcame these challenges for its latest co-production.