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Mark Hewitt couldn’t believe his luck when he received funding from the Artists’ International Development Fund to collaborate with a foreign musician of his choice.
Part of the Brighton Festival, 'caravan showcase' presents contemporary English theatre to international programmers. Catherine Love explains how English theatre companies can benefit from the showcase and other year-round activities.
The Leeds Creative Labs programme has funded collaborations between university academics and creative technologists. Sue Hayton reports.
Partnerships with Defra, local authorities and LEPs will be key to delivering the Arts Council’s strategy in rural communities.
Liz Pearson is certain that partnerships between educational and public cultural bodies are maintaining the momentum behind Stratford’s cultural regeneration.
Ten successful bidders will be part of a £3m programme which aims to develop partnerships between arts, culture and tourism in England.
Richard Clark explains how Bridge organisations are enriching children and young people’s experience of the arts.
Christoph Jankowski introduces Creative Europe, the new EU funding progamme for the cultural and creative sectors.
Chris Bannerman tells how he reluctantly became a key driver in a complex collaboration involving choreographers, dancers and academics from the UK, China and Taiwan.
Working in partnership with a Ugandan arts organisation has been a fraught experience (an understatement) for Blackpool’s TramShed, but as Zac Hackett and Marge Ainsley report, they are not giving up.
The government’s new primary sports funding will increase dance provision in primary schools. Sally Fort urges dance practitioners and companies to get involved.
To replace events previously run by Lincoln City Council, former member of the arts team Sara Bullimore founded the Lincoln Inspired festival. She tells the story so far.
Arts Development UK’s latest survey on arts spending in local authorities in England and Wales reveals a "dramatic and changing picture". Pete Bryan and Judy Hughes set out their findings.
The arts and higher education have been working together in a number of ways to the benefit of both sectors, says Sue Hoyle.
Helen Palmer and Susie Stubbs describe how cultural tourism can work – and has worked in Manchester.
Collaborations with a yacht club, fishermen and many others are set to increase engagement in the arts in the Canterbury region. Lucy Johnson describes the ‘Prosper’ project.
The two are joining forces to kick-start a new conversation involving the arts sector and its stakeholders, aimed at convincing investors of the importance of cultural infrastructure.
Ian Ritchie believes that the City of London Festival’s success over 50 years is based on taking programming risks and exploring creative partnerships.