Jump to navigation
Born Mad give us a peek at the preparation for their week-long run at Ovalhouse in London.
Red Ladder’s #GisATenner campaign appealed to the company’s Twitter followers to donate as little as £10 to help save the company following funding cuts. Chris Lloyd reveals what happened next.
The theatre’s business model bears fruit, as a local tech company signs a rental agreement that will deliver an ongoing revenue stream for its artistic and education work.
The new ‘Spend a Penny’ fund has been launched by the Theatres Trust with support from Susan and Simon Ruddick.
Enjoy your successes and brush away your losses, playwright and art historian Laura-Jane Foley tells 22 year olds.
Comedian-turned-theatre maker Rosie Wilby talks radio and tennis as she prepares for her new show.
Astounded by the sexist remarks she received while touring a theatre production with an all-female crew, Sarah Brown tries to make sense of it.
After two years observing leadership styles across the Ambassador Theatre Group, graduate trainees Rachel Lane and Jamie Budgett discuss their vision of a good leader.
Executive Producer at The Roundhouse, Co-Director of World Stages London and co-founder of What Next?, Nicola Thorold has died of cancer shortly after receiving an OBE for services to the arts.
From Topshop to Rose Theatre Kingston, Chief Executive Robert O’Dowd takes us through the steps of his career.
Tired of seeing British East Asian actors being given underwritten, stereotyped roles, Kumiko Mendl decided to do something about it.
Do not be seduced by beautiful lies, theatremaker Leo Kay tells 22 year olds.
Nathan Brine’s year at Colchester’s Mercury Theatre as a Stage One apprentice was so much more than being a glorified tea-person.
Self-confessed control freak Neal Foster shares his tips for writing, directing and performing your own work.
Get out there and treat critics like a dog treats lamp posts: playwright Tanika Gupta gives advice for 22 year olds.
A new pilot scheme led by Imaginate and National Theatre Scotland will bring live performances to 15,000 schoolchildren this autumn.
Rebecca Morland shares step-by-step advice for groups looking to save historic theatre buildings from decay, demolition or closure.
Director Judy Hegarty has been working for 20 years, and keeps returning to the writer Samuel Beckett. How can you find a similar source of inspiration?
Two years after hosting its first dementia friendly performance, West Yorkshire Playhouse has released a best-practice guide to putting on similar shows.
Bon Culture has apologised after physical access issues and high ticket costs prompted anger at its conference last week.