West End actors and stage managers to receive 16% pay rise

30 May 2023

Actors and stage managers working in the West End will receive a 16% pay rise over two years, under new rates agreed by Equity and the Society of London Theatre.

The updated SOLT/Equity Agreement for West End Theatre Artists will run from April 2023 to April 2026, covering performers and stage managers.

It agrees an increase of at least 10% to minimum rates across all pay brackets year-on-year for the period of April 3, 2023, to March 31, 2024.

For the year beginning April 1, 2024, all pay brackets will increase by around 5% of the 2023-24 rate, marking a total increase of 16% over two years.

Rates for the final year of the agreement have yet to be calculated but they are set to increase in line with the consumer price index figure published by the Office for National Statistics in February 2025, plus 0.5%, subject to a minimum increase of 2% and a maximum of 5%, The Stage reported.

Equity had initially campaigned for a 17% pay rise in the first year of the agreement, with an additional rise of 10% in the second year.

The final new agreement will see rates of pay for performers and stage managers rise in line with theatre sizes, based on an eight-show minimum week with increased rates for 12-show weeks.

Rates for workers at theatres with a capacity of 1,100 or more will rise from £757.84 per week to £880.10 by April 2024.

Rates at theatres with a capacity of 800 to 1,099 will rise from £689.37 to £800.58 and rates at theatres with up to 799 seats will rise from £620.29 to £720.36.

The agreement also includes a 33% increase to swing fees of up to £120 a week and a 12.5% increase to dance captain fees up to £135 a week.

“Given the current economic difficulties facing both SOLT and Equity members, these negotiations were always going to be difficult and challenging,” said Robert Noble, chair of the SOLT negotiating committee. 

“However, through constructive dialogue and a professional approach by all those involved in in the negotiation process, a settlement has been reached that acknowledges the commitment and support shown by Equity members during the pandemic and seeks to address, as far as is possible, the continuing economic challenge that we all continue to face.”

He added that the settlement has received “the very strong support of members of both organisations”.

Paul W. Fleming, General Secretary of Equity, said the “excellent deal” marks the start of a process that will see trials of a five-day rehearsal working week.

“Our strong, constructive, but robust industrial relations have delivered a meaningful shift in pay and conditions at a time of extraordinary pressure for bosses and workers alike,” he said.
 

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Equity secures trial of five-day rehearsal week

15 May 2023

A new five-day rehearsal week is to be trialled across the subsidised and commercial theatre sector as part of new agreements secured by performers' union Equity.

A working party has been established between Society of London Theatres (SOLT)/UK Theatre and Equity to develop plans.

The trial will begin across six organisations in the subsidised sector: Northern Stage in Newcastle-upon-Tyne, Curve Theatre in Leicester, Hull Truck Theatre, Sheffield Theatres, Chichester Festival Theatre and the New Vic in Newcastle-under-Lyme.

The initial trial will finish by Christmas 2023, with Equity hoping to roll it out more widely afterwards.

Equity Industrial Official Charlotte Bence said the trial "will incorporate lots of different types of production – including children’s shows and pantomimes – so we can unpick what that way of working will look like across different scales of shows".

The five-day week is part of a raft of new agreements on pay and conditions brokered by Equity, that also includes the sector's first code of conduct for digs.

The quality of accommodation has become a big issue for theatre workers, with Equity members regularly reporting unsafe accommodation.

Equity general secretary Paul W Fleming said the negotiations had also delivered "strong percentage increases in minimum rates of pay, the payment of touring and subsistence allowance four weeks in advance, and good increases to swing and understudy payments".

Children create performance space in London theatre

12 May 2023

Primary school children from four schools in London have built a temporary performance structure at South London theatre Brixton House.

Organised by architecture educator Matt + Fiona, the project, called Let’s Build, was designed to teach participants creative and practical building skills that are disappearing from schools.

The number of students studying design and technology at GCSE level has seen the steepest decline of all creative subjects, having dropped by two-thirds in the last decade.

"Design and build projects of this kind are invaluable in helping to fill the gap left behind," said Matt + Fiona co-founder Fiona MacDonald.

"They give young people the agency to shape their own environments and grow in confidence and their own identities."

The performance structures are made of timber and will remain in the theatre for schools and community groups to use for free. It will also be used as a rehearsal space for the Brixton House Youth Theatre.

Brixton House, which commissioned the project, then plans to donate the structures to any interested schools or community groups.

Cancelled comic Jerry Sadowitz set for Edinburgh Fringe return

10 May 2023

The controversial comedian and magician Jerry Sadowitz is to return to the Edinburgh Fringe, despite having the second of two 2022 shows cancelled following complaints.

Sadowitz has been booked for a three-night run at The Queen's Hall for this year's Fringe.

The show in August is being billed as 'Jerry Sadowitz …proudly presents Last Year's Show' and is being promoted by Regular Music.

The flyer advertising the show warns that it is "offensive to everyone".

Last year's show at the Edinburgh International Conference Centre was cancelled by promoters the Pleasance after what it claimed was an "unprecedented number of complaints".

The Pleasance said the show was "extreme in its racism, sexism, homophobia and misogyny".

Sadowitz, however, said his act contained "a lot of silly, exaggerated irony and nonsense, real fake and exaggerated anger and bile... for the purpose of the funny line which follows it".

He added: "The show is what it is, for those who enjoy it. The rest of you... please stick to Carry On films."

Lancashire theatre ejects drunk audience members

09 May 2023

A theatre in Lancashire had to remove audience members during a performance at the weekend, after instances of drunken behaviour and verbal abuse.

Bacup Royal Court Theatre released a statement on its Facebook page, apologising to audience members “whose enjoyment was spoilt by the actions of a few people in the audience”.

“We would like to ask people to respect your local theatre and not to attend if you are under the influence of excessive drink or other substances,” the statement added.

Audience members responded to the statement with praise for the theatre as to how they handled the situation, while criticising “shameful” behaviour of those evicted from the performance.

The news is the latest in a string of examples of disruptive behaviour in theatres across the country, with some noting a sharp uptick since the pandemic.

Opening up leadership to young expertise

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Derbyshire theatre unveils expansion plans

04 May 2023

Plans have been announced to transform a Grade II-listed theatre in Glossop, Derbyshire.

Partington Theatre has said it is hoping to purchase the vacant former NatWest Bank which sits next-door to the venue in the centre of the town.

The Manchester Evening News reports that the bank closed two months ago, but the theatre wants to bring it back into use as a performing arts centre, including new facilities for thespians, musicians and the wider community.

Mark McDonough, Chairman of the board of trustees for the theatre, said: “Purchasing this building would see our little theatre expand with more community space, rehearsal and storage areas, and most importantly make the theatre truly accessible to all. 

"This is a very exciting opportunity which would make a huge difference to not just the theatre and its patrons, but to the entire Glossop community.”

Guildhall to launch performance training network for children

02 May 2023

Guildhall School of Music and Drama is set to launch a new national training network in performance and production for children and young people across England.

The network aims to “broaden the country’s talent pipeline” and will incorporate five existing centres across England, as well as an online centre for remote study.

It will offer one-to-one training, as well as group lessons and holiday courses in music and drama. 

Centres in Waterloo, the Barbican, King’s Cross - all in London - and Norwich and Taunton will form part of the network, each run in partnership with local arts venues and education providers, the Stage reported.

The network demonstrates “the depth and breadth of Guildhall School’s commitment to children and young people”, said Jonathan Vaughan, Principal of Guildhall.

“Our vision of becoming a sector leader in lifelong learning in the arts is being realised as we work to ensure the boundaries between the different levels of our training are porous and that people at every stage of life can learn with Guildhall School,” he said.

Alison Mears, Director of Guildhall Young Artists, said that a lack of investment in the performing arts in schools over the past decade had “closed down” opportunities. 

“Guildhall Young Artists is our response, as a leading conservatoire, to help increase and broaden the country’s talent pipeline, and to enable more young people to perform, create, improvise and collaborate at the highest level,” she added.

Tixly to be partner with Trafalgar Tickets

02 May 2023

Event ticketing software company Tixly has been selected as ticketing partner for Trafalgar Tickets.

Trafalgar Tickets will begin using Tixly’s ticketing system later this year.

The company is the ticketing division of Trafalgar Entertainment, a theatre venue business founded in 2017.

Tixly currently provides services to over 100 venues and cultural organisations around the world, allowing customers to sell events, manage customers through advanced CRM and use enhanced segmentation tools to enable marketing.

“I am thrilled we have found a partner in Tixly whose approach to technology and product development is so aligned with our own,” said Trafalgar Tickets’ CEO Johan Oosterveld.

“We share a desire to reimagine how customers and producers interact with our venues. By leveraging Tixly’s advanced feature set within our technology stack, we will be able to unlock commercial opportunities and accelerate our growth ambitions in the UK and internationally”.

Liam Oakley, Trafalgar Tickets’ Director of Operations, described Tixly as “a feature-rich yet intuitive system” well-placed to meet the company’s evolving needs.

Birmingham Hippodrome to create in-house musical theatre

02 May 2023

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Charity Commission finds 'breach' in Actors' Benevolent Fund election process

25 Apr 2023

A Charity Commission investigation into a leadership row at the Actors’ Benevolent Fund has found there was a “breach” in the election process for its new trustees.

The row dates back to early 2022 when a group of long-standing trustees complained about former general secretary Jonathan Ellicott’s handling of the charity’s finances.

Then, in a meeting in February, ten trustees including former president Penelope Keith, and Siân Phillips and James Bolam, were removed.

A new leadership was elected in December 2022 at the charity’s AGM, but a dispute followed regarding whether they were legally trustees.

A spokesperson for the Charity Commission said: "We have worked extensively over recent months to help the Actors’ Benevolent Fund overcome a bitter dispute that has not served the interests of the charity’s members or beneficiaries and has been harmful to the charity’s reputation and its ability to operate effectively. 

"Through our investigations, we have concluded that, while there was a breach in the process of the trustee election held at the charity’s AGM in December 2022, those who received the most votes should now be appointed as trustees."

The breach was a decision to close, rather than adjourn, the charity’s AGM.

The Charity Commission spokesperson added: "To allow the charity to operate, we have therefore used our powers to appoint as trustees those individuals who received the most votes from the membership.”

Stage Directors UK to become a trade union

25 Apr 2023

Stage Directors UK is to become a recognised trade union, the membership body has announced.

The move is the culmination of a process the organisation began 18 months ago.

As a trade union, it will look after the interests of stage directors, choreographers, movement directors, fight directors and intimacy coordinators.

Since first announcing its intention to become a trade union, SDUK's membership has grown by 25%.

Last summer, more than 90% of SDUK members who took part in a vote on whether to become a trade union, voted in favour.

A statement from SDUK said: "After numerous meetings with our members, partners in the UK and abroad and a thorough application process, UK-based stage directors now have what their American colleagues have had for decades: their own trade union.

"This is a historic achievement that will not only benefit SDUK members but the entire profession.

"SDUK looks forward to working with other trade unions to build a better, more resilient UK theatre."

'Highly desirable' Riverside Studios put up for sale

25 Apr 2023

The arts venue in Hammersmith, whose operators recently called in the administrators, has been put on the market.

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