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Theatre has seen a rise in income over the past four years, although the increases are concentrated in the hands of large organisations, a major new report has found.
As she leaves the Theatres Trust, Mhora Samuel looks back on her career in theatre, dance and cultural regeneration.
The majority of theatres do not think screenings have affected their touring, and audiences still attend live events.
Royal & Derngate has put forward proposals for a new free school that will specialise in the cultural and creative industries – the first to be run by a theatre.
An action research programme aims to find more and better solutions to the problem of juggling family commitments with a career in the performing arts.
As he prepares to leave Nottingham Playhouse, Giles Croft pays tribute to those who have guided and inspired his career.
Last year Leicester’s Curve Theatre increased its turnover by 30%. Chris Stafford discusses touring, hospitality and rejecting capital funding.
Theatre for young audiences has suffered from low status and under-investment, but perceptions of its quality are changing, says Nina Hajiyianni.
Born Mad give us a peek at the preparation for their week-long run at Ovalhouse in London.
Red Ladder’s #GisATenner campaign appealed to the company’s Twitter followers to donate as little as £10 to help save the company following funding cuts. Chris Lloyd reveals what happened next.
The theatre’s business model bears fruit, as a local tech company signs a rental agreement that will deliver an ongoing revenue stream for its artistic and education work.
The new ‘Spend a Penny’ fund has been launched by the Theatres Trust with support from Susan and Simon Ruddick.
Enjoy your successes and brush away your losses, playwright and art historian Laura-Jane Foley tells 22 year olds.
Comedian-turned-theatre maker Rosie Wilby talks radio and tennis as she prepares for her new show.
Astounded by the sexist remarks she received while touring a theatre production with an all-female crew, Sarah Brown tries to make sense of it.
After two years observing leadership styles across the Ambassador Theatre Group, graduate trainees Rachel Lane and Jamie Budgett discuss their vision of a good leader.
Executive Producer at The Roundhouse, Co-Director of World Stages London and co-founder of What Next?, Nicola Thorold has died of cancer shortly after receiving an OBE for services to the arts.
From Topshop to Rose Theatre Kingston, Chief Executive Robert O’Dowd takes us through the steps of his career.
Tired of seeing British East Asian actors being given underwritten, stereotyped roles, Kumiko Mendl decided to do something about it.
Do not be seduced by beautiful lies, theatremaker Leo Kay tells 22 year olds.