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The gallery will hold regular ‘Autism Hours’ with dimmed lights, reduced noise and break-out spaces available.
A provocation paper commissioned by Bluecoat arts centre is the focus of an attempt to create new entry points into artistic leadership.
Noticing that families were under-represented in their audiences, art galleries in the North of England decided to take a collaborative approach to commissioning and communications. Elaine Lees tells the story.
House of Illustration puts on ten exhibitions and turns over £1m every year - all without public funding. Colin McKenzie explains how.
Ensuring policy makers and commissioners value artists and art equally is at the heart of a-n’s new five-year strategy.
A new study looking at the benefits of visual art activities for people living with dementia should provide the evidence that decision-makers need, say Teri Howson-Griffiths and Gill Windle.
Preston’s Harris Museum and Art Gallery needs ‘re-imagining’ and who better to do it than the young people who will be its visitors in the years to come, says Matthew Wilde.
Tate’s Circuit programme for young people has helped promote wider organisational understanding of the value of young people as cultural producers. Mark Miller reflects on its impact and highlights.
From FACT to Castelfield Gallery, Helen Wewiora takes us through the steps of her career in contemporary art.
The gender divide amongst artists exhibited and sold is not inevitable, and new research into Artfinder’s online community proves it, says Jonas Almgren.
Inspired by theatres, Bristol’s museums and galleries decided to try out a ‘pay what you think’ model for exhibitions. Philip Walker tells the story.
Eleni Duke found galleries intimidating, silent and unwelcoming, so she decided to open her own where everyone was welcome. She shares what she’s learned.
“Be brave and go for it”, artist and gallery founder Lynette Gray advises those starting their careers.
The new Executive Director of Protein Dance, Franck Bordese, looks back on his career championing cross-artforms and engagement work.
What are the dynamics when a group of artists with and without learning disabilities work together? Emma Bosworth discusses the positive outcomes of the OutsiderXchanges project.
A series of portrait-painting events exploring and celebrating diversity engaged both live and online audiences. Mandy Fowler explains how people from all around the world got involved.
What rights do artists have when their work is exhibited without their permission? Eleni Polycarpou considers the controversy surrounding the Anselm Kiefer exhibition in China.
Don’t worry about rejection, and stay in touch with people who have successfully applied for funding, advises contemporary artist Olivier Jamin.
Facebook Live has helped The National Gallery get closer to a worldwide audience. Tamara El Assawi shares what they’ve learned conducting online tours.
Although visits by UK nationals have held steady, visitor numbers from overseas have fallen despite an overall increase in tourism.