Four UK venues announce closures in one day

17 Jul 2020

Four UK music venues announced plans to close on Wednesday amid the pressure of the pandemic.

Manchester's Gorilla and The Deaf Institute and venues The Welly and The Polar Bear in Hull will not reopen once restrictions on mass gatherings lift.

The venues have provided a stage to many well-known acts, including Kylie Minogue, The 1975, Florence and the Machine, U2 and Pulp.

Roy Ellis, Chief Executive of Mission Mars which operates the Manchester businesses, said they were "well loved and have provided an early stage for many acts in the North West".

"The Deaf Institute and Gorilla have been at the forefront of the music scene in Manchester for many years and it is with great sadness that we announce that we will not be reopening."

Fears for ‘forgotten’ freelancers

dark silhouette of a sound operator (taken from behind) in a theatre or music show with lights onto the stage
16 Jul 2020

Government support for the self-employed runs out in two months’ time – but up to a third of creative freelancers aren’t receiving it anyway.

Museums and galleries ‘will need support until spring’

16 Jul 2020

Last year was a positive one for the UK’s attractions. But with tourism scuppered and a fast fall in visitor numbers, the British public’s patronage is crucial.

Manchester seeks £71.8m to ‘safeguard and stimulate’ culture

16 Jul 2020

Efforts by Manchester and the West Midlands to secure extra money highlight fears that rescue funding will be directed towards London.

ABRSM under fire for 'colonial legacy'

16 Jul 2020

UK music exam board ABRSM is being urged to diversify its syllabuses after research found 99% of pieces were by white composers.

More than 4000 people have signed an online petition after a new piano syllabus published this week featured no Black composers. 

The petition asks: "why are we limiting diversity in a subject that clearly has a rich and varied history, and contributing to the erasure of people of colour from Western history?"

The exam board issued this statement in response:

“ABRSM is absolutely committed to addressing under-representation of black composers on its syllabuses. We are taking proactive steps to ensure our syllabuses are more representative in future and are working with partners to develop a mentoring scheme for composers of Black, Asian and diverse ethnic descent as part of this commitment and will be held to account for all our actions on this issue.”

£2m 'incubator fund' to harness diverse young talent

15 Jul 2020

Youth Music has announced a new fund for music developers to support the careers of young creatives.

Grants of up to £30,000 will help address a "diversity deficit" in the music industries, according to a report released by the charity. A survey of 1300 young adults undertaken before the pandemic and interviews conducted during the lockdown indicated "minimal understanding of the widespread nature of portfolio careers and freelancing in the arts", with most participants imagining themselves in one well earning role.

"This call to ‘bridge the gap’ is not new but these flaws need addressing with new urgency for a post Covid-19 world," Youth Music's report said.

Arts trail behind as a fundraising good cause

15 Jul 2020

Three-quarters of adults give money to charity in some form or other, but giving to the arts is bottom of a list of the 15 charitable causes to which they make donations, according to new Government research. The Community Life Survey 2019/20 among adults age 16+ has found that only 4% of donors had chosen to support ‘the arts and museums’, compared with 27% who gave to medical research; 25% to hospitals and hospices; and 19% animal welfare. There has been no significant change compared with the previous 12 months.
The factors that were most influential over whether a person would make or increase their donation to a charity were having more money; having confidence the organisation would use the money efficiently; and knowing the money is going to be spent locally.  

Long-term funding commitment to mental health work

15 Jul 2020

Organisations that use the skills of professionally trained artists to focus solely on offering creative opportunities to people living with mental health problems are being invited to apply for grants from the Baring Foundation’s new arts programme.
Mental health is the Foundation’s latest long-term commitment for arts funding, following on from its previous multi-year scheme supporting arts work among older people. This first new funding call is highly targeted at specialist providers, in recognition of the pressures the sector is undergoing due to the Covid-19 crisis, but it will be extended to more potential applicants in due course. £900,000 in small unrestricted grants is available in 2020.

Musicians lobby religious leaders to save the choral jobs

15 Jul 2020

The Incorporated Society of Musicians (ISM) has written to the Archbishop of Canterbury, the Archbishop of Westminster, and the Chief Rabbi, calling for an immediate halt to redundancies to secure the livelihoods of musicians working in churches and synagogues. CEO Deborah Annetts said: “We are deeply dismayed that despite our efforts we are now seeing redundancies and even the disbandment of choirs that have been established for hundreds of years. The UK’s great choral tradition is on the verge of disintegration because of short-sighted measures from some religious establishments."
Making their musicians unemployed at this time of crisis would be “a less than charitable act”, she said.  

What happened to STEAM? The push to re-brand arts subjects as SHAPE

13 Jul 2020

Academics behind the campaign say a new label will “unite and celebrate” these subjects and their role in rebuilding a post-Covid economy.

Grant package will ease pressure on London’s studios

10 Jul 2020

Artist studios across the capital are to benefit from £1.6m of emergency funding from the Mayor’s Culture at Risk Business Support Fund. 82 artist studios across 18 London boroughs will receive support from the fund, and will in turn be able to continue supporting a community of 11,500 creatives practitioners.

The fund for creative workspaces, which includes an investment from Bloomberg Philanthropies, is delivered by the Creative Land Trust and designed to help studios the that are suffering the most from the near shut-down of the culture and creative industries. 80 per cent of those receiving funding are led by women, people from a BAME background, the LGBTQ+ community or people with disabilities.

Mayor of London, Sadiq Khan, said: “The devastating impact of COVID-19 means London’s unparalleled culture and creative industries need our support now, more than ever. These artists make a significant contribution to our economy and life in our capital, but they have seen their income diminished by the near total shutdown of their industries. I’m delighted that through our Fund we are helping to ensure that thousands of our talented artists still have a place to work, so that they can play their part in our city’s recovery.”
 

 

Outdoor performances given green light for July 11

10 Jul 2020

Indoor performance pilots with the London Symphony Orchestra will shape further reopening plans amid concerns about the safety of singing, brass and wind instruments.

ACE grants just one third of emergency funds, holds on to £56.9m

London Symphony Orchestra
09 Jul 2020

The funder says 95 National Portfolio Organisations that applied “were not able to demonstrate they needed urgent funding”.

Assistant roles undervalued in the cultural sector, research finds

09 Jul 2020

Executive and administrative assistants in the cultural sector are a vital but overlooked section of the workforce, according to researchers at the University of Oxford.

Their report Supporting Leadership calls for action from the sector to ensure the expertise of support staff can be recognised and working practices improved for the benefit of all.     

Contributions from staff at more than 60 UK museums, libraries, heritage sites, and arts and performance organisations reveals the importance of support roles in enabling and facilitating dynamic cultural sector leadership. But the often ‘invisible’ work that goes on behind-the-scenes means there is a danger that this work isn’t appropriately valued.

Some support staff describe their contribution as ‘invisible’, they are ‘seen as unskilled’ and their roles can be ‘a dumping ground’. Consequently there is a high rate of turnover among support staff, with only 31% of administrators in the cultural sector seeing their roles as a long-term commitment (of more than three years). A lack of professional recognition drives the discontent, with certain roles seen as more important than others.

The report makes recommendations for greater clarity in defining assistant roles, for raising awareness of administrative work across institutions, and for creating a culture where staff feel empowered to take ownership of their work. It provides practical advice for leaders and support staff with advice series of tools focusing on role descriptions, working environments, recruitment processes, and development pathways.

Study will examine Covid impact on cultural participation

09 Jul 2020

A new research project is set to “explore and demonstrate the role of innovation, collaboration and participation in shaping cultural experiences during the current pandemic”. The aim of the project, a joint initiative involving the UKRI Arts and Humanities Research Council and the DCMS, is to provide an evidence base to inform cultural recovery, renewal and future growth. The findings will be used to determine how the sector can best harness new digital and immersive technologies to engage and diversify audiences.
The 12-month project will:
● Investigate the differential impact of Covid-19 across the UK’s cultural and creative sectors, positive and negative, looking at opportunities as well as the disruption and threats
● Advise on measures that may be required to restore public confidence in cultural participation and the return to venues
● Explore the impact of the pandemic on new technology-enabled distribution platforms, online cultural participation/consumption, and user preferences across a range of different audience types.
It will be driven by an Expert Advisory Panel involving leaders from across the arts, cultural, creative and higher education sectors, co-chaired by Professor Andrew Thompson, Executive Chair of Arts and Humanities Research Council, and Neil Mendoza, Commissioner for Cultural Recovery and Renewal.

Research reveals limited appeal of digital broadcasts

09 Jul 2020

Surveys across a number of US cities have revealed that 59% of cultural organisations’ audiences have not watched any digital broadcasts or other digital content offered or recommended by the arts organisation they are connected with. These findings were despite most of the content being free of charge, and only 13% of respondents saying they weren’t aware of it.

The art form streamed most was music, with 52% of respondents saying they had viewed an orchestra’s digital content at least once.

When asked whether they would buy tickets to live-streamed programmes to watch at home if venues aren’t open, the average response was around or just below ‘somewhat likely’.

The data is drawn from hundreds of organisations participating in the Audience Outlook Monitor study, and Alan Brown of WolfBrown, which developed the study, said: “Bear in mind that people who respond to surveys tend to be the most loyal and committed audiences. So, the fact that a majority of them don’t engage with digital content at all, or aren’t aware of what’s being offered, strikes me as a little disconcerting… I encourage you to think creatively about what the live stream experience looks like, and how to position it as a distinctly different value-added experience, so that the live stream experience is not just seen as a poor man’s substitute for a live experience, but as a premium educational experience.”

Free courses, resources and new ideas show The Way Forward

08 Jul 2020

Using cultural spaces as classrooms… a new chat room for dance professionals… 360° virtual reality events… the Drive-In experience… All this and much much more, including free courses, webinars and resources that will help the sector move forward as the ‘new normal’ approaches. Read and keep reading The Way Forward - AP’s regular update of new initiatives and ideas that will light the path ahead.

Talent drain set to begin as parents and carers look for alternative careers

08 Jul 2020

Campaign group PiPA (Parents and Carers in Performing Arts) has found that workers with caring responsibilities are considering abandoning their careers in the sector due to uncertainty about job prospects. The group warns that the “loss of talent from the industry is a clear risk” and will “drive people to seek employment elsewhere”.

Unprecedented £1.57 billion package to save the arts from the brink

Royal Opera House view of the stage from a balcony seat
07 Jul 2020

Sector leaders have responded with a mixture of relief and gratitude for a Government package that will secure the medium-term future of many organisations on the brink of permanent closure, but others believe the announcement leaves many questions unanswered.

Red lights spell danger for theatres

07 Jul 2020

Theatre buildings across the UK have been lit up in red to draw attention to their plight - staff unable to return to work for the foreseable future, despite lock-down restrictions being lifted across many other sectors. Guildford's YvonneArnaud theatre tweeted: "We welcome the government's rescue package, & join venues & friends around the country tonight in the @LightItInRed campaign, to show that we can't wait to reopen as soon as we can. #LightitinRed"

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