Tech and data-savvy millennials are ideal employees for arts organisations, but how can we make the sector attractive enough to recruit them, asks Libby Penn.
How do we best manage an economy in which many people don’t have a salaried job? Michelle Wright discusses the move away from 9 to 5 employment in the arts.
Full-time working women earn less than men doing the same level of work at all stages in their careers, with the gap at senior levels having grown since 2006.
Unable to take on unpaid work, Salome Wagaine thought she might be excluded from a career in the arts. Then she found out about the Weston Jerwood Creative Bursaries scheme.
Disappointed by a low take-up in its traineeship scheme, Curious Minds decided to shake things up and think about what disadvantaged young people really need and want, writes Derri Burdon.
The closure of the Independent Living Fund and cuts to the Access to Work scheme will lead to a massive reduction in the number of disabled people participating and working in the mainstream arts world, warns Helen Bayliss.
As mental illness contributes significantly to the number of lost working days, Eleanor Deem advises employers to take a proactive approach when dealing with mental health issues.
The UK’s creative industries are growing massively, but does the sector have the right skills in place for this to continue indefinitely, asks Monica Karpinski.