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Plans for a Leeds-based centre for excellence in dance and a “world-leading hub for dance” in East London are aiming to put England on the international dance map.
The invitation to bring a disused library in Southwark back to life as a pop-up space for artists and community groups came with many challenges as well as opportunities, Rebecca Manson Jones reveals.
Seed funding has been allocated to ten partnerships as part of a two-year pilot project nurturing collaboration between academics and creative small businesses.
For Susan Miller, an MA in Fine Art has been a real opportunity to confront the vulnerability artists feel when exhibiting their work in public spaces.
22 organisations have been selected as PRS Foundation Talent Development Partners 2016 and will receive grants to deliver support for music creators.
Growing slowly and organically has helped Kidderminster Arts Festival respond to the needs of local artists and the community, says Loz Samuels.
Angered about how few young people with learning disabilities are involved in the arts, Richard Hayhow urges the sector to open its eyes to the talent and creativity out there.
Whilst local and community participation are government priorities for sport, plans to increase participation in the arts are centred on investments in flagship projects.
At The Watermill Theatre, the cast lives on site – alongside ducks and chickens – for the whole production process. New Artistic Director Paul Hart reveals the effect on the company.
The first study in ten years into the livelihood of visual artists in England will examine how existing funding programmes impact on their careers.
Did you know that many artists are entitled to royalties when their work is resold? Daniel Rudd answers your questions about the artist’s resale right.
Financial support forms part of a new series of sector-led schemes aimed at breaking down major barriers to young theatre companies being able to showcase their work.
Targeted mentoring, leadership courses and masterclass events are to be provided to artists from diverse backgrounds in the city.
When Annette Petchey moved to the north of England she was shocked at the low prices for visual art. She explains how New Light is now supporting northern artists.
Despite a thriving theatre scene, Arthur Stafford couldn’t help but feel Manchester’s playwrights weren’t receiving the support they needed. So he set about changing things.
A lack of business skills and access to equipment was holding artists in Dumfries and Galloway back. Clare Hanna explains the origins of Upland and how it supports artists.
Wendy Gadian explains why finding the right funder was key to helping the Royal Central School of Speech and Drama support emerging musical directors.
At the start of their careers, artists need more than just brilliant ideas - they need to develop skills that will enable them to shape and sustain their practice. Ann Drew explains how applying for an enterprise award can help them achieve this.
Do trusts and foundations really favour some organisations over others? Sarah Miller explains what can move the Andrew Lloyd Webber Foundation to offer repeat funding.
An international study says the ‘moral and economic rights’ of artists must be protected if they are to sustain their creative activity and fuel the economy.