Headteachers reject the idea of a diluted form of the music and social education programme, saying that funding will be the main barrier to schools continuing with the scheme.
Following the success of relaxed theatrical performances, Chris Proctor explains how Birmingham’s Town Hall & Symphony Hall has gone about staging relaxed concerts.
A lack of formal teaching qualifications will no longer be an entry barrier to musicians wanting to teach in state schools under proposals in the latest education White Paper.
Struck down with depression, international singer and songwriter Rhoda Dakar reveals how volunteering on a music project helped her to take back control.
Run away with the circus, and if there is no doorway, make the door – advice from the composer andfirst black woman to have a piece performed at The BBC Proms, Errollyn Wallen.
The composer and producer Jimmy Jewell, who has performed on stages all around the world, offers a clear message to 22 year olds: only you can grab hold of your own future.
The challenge to nurture and support cultural and music education outside London is on. Ian Thomas assesses a model that brings together several music services across four local authorities.
Virtual violins and computer-based guitars need more than just the right sounds if they’re to work for deaf musicians. Richard Burn describes his research into accessible virtual instruments.
Do freelance musicians get the weekend off? And how many trains do they actually have to take? Emma Donald takes us on a visual tour of her working week.
Label boss Alya Marquardt reveals why she would persist with challenging music and learn to be happy in her own skin if she were at the start of her career once again.
