Noticing that families were under-represented in their audiences, art galleries in the North of England decided to take a collaborative approach to commissioning and communications. Elaine Lees tells the story.
In its long-overdue response to a public consultation on the implementation of the EBacc, the Government has ignored calls for a broader, more balanced curriculum and upped the pressure on mainstream schools to enter more pupils for the prescribed suite of GCSEs.
While the EBacc may be causing concern for the status of the arts in UK schools, there are opportunities to ensure creativity is at the heart of education in lower-income countries around the world. Joe Hallgarten makes the case.
For some children with physical disabilities, access to music making is barred by a lack of well-designed adapted musical instruments. Rachel Wolffsohn explains what a new charity is doing to change that.
With fewer students studying creative subjects at school, the UK’s Bridge organisations have taken on the challenge to promote the arts. Sarah Mumford explains what is happening in the Yorkshire and Humber region.
The financial imperative to sell tickets can lead to a ‘bums on seats’ mentality, but a different approach has helped Mac Belfast grow its schools audiences and enhance its reputation. Melissa McMinn describes two initiatives.