MP raises issue of lack of artist studio space

An MP has spoken in Parliament about concerns over a shortage of "essential" studio and exhibition spaces for artists in Leighton Buzzard and Dunstable.

Andrew Selous, South West Bedfordshire MP, told Ministers: “Leighton Buzzard, Dunstable and many other parts of my constituency are blessed with an abundance of artists, painters, sculptors and others, but they have very few places where they can create their work and even fewer places in which to exhibit. They need more studio space and more workspaces.

"Providing such spaces should be essential – it aids economic activity, increases footfall and increases wellbeing.”

Julia Lopez, Minister for Media, Tourism and Creative Industries, replied: "The Government are committed to encouraging local authorities and property owners to make spaces available for cultural activities.

"Arts Council England is already supporting artists’ spaces through funding and brokering partnerships. 

“As I say, we support creative industries primarily through Arts Council England, which has initiatives that look at workspaces. I encourage organisations in his constituency and community to make applications for grants, because there are specific funds available.

Grassroots music fund launches

A music initiative designed to "empower and celebrate" grassroots music communities has launched.

Studio Monkey Shoulder, established by Monkey Shoulder Whisky, aims to recognise and support a community organisation to turn a passion project into reality, via a £10,000 investment. 

The UK-based community, collective or music organisation which receives the investment will have the opportunity to create their own event and feature in a series of films and radio broadcasts, produced in collaboration with Worldwide FM.

The  Studio Monkey Shoulder initiative is open to community trailblazers from independent record stores, live venues and online radio stations, to DJs, artists and promoters.

The winner will be selected by DJ and broadcaster Gilles Peterson, Founder of Worldwide FM.

Sunderland gets investment for 'Music City' project

Sunderland Music Arts and Culture Trust has received more than £300,000 for a music initiative designed to provide people from diverse backgrounds with full access to educational and cultural events.

A total of £300,000 has been provided for the Sunderland Music City project from a social investment fund for the North East of England established by Northstar Ventures and £37,500 from the County Durham Community Foundation.

MAC Trust currently organises several major events in Sunderland, including Summer Streets, in partnership with Sunderland Council and Arts Council England.

Through Music City, the trust hopes to establish and brand Sunderland as a 'music city', using music, audiences and venues to help change people's cultural experiences in the city and the region, make it a more vibrant place and somewhere musical talent want to study and live.

Paul Callaghan, Chair of MAC Trust, said: "By developing and supporting music we can help the city and the region in several important ways through job creation, economic and artistic growth, tourism development, reputation and brand building. 

"It will involve not just the music community but also the education and public sectors, voluntary bodies, and the community at large covering all musical genres, all ages and everyone who wants to play, sing, or listen."

New partnership will support music sector in the North

The Association of Independent Music (AIM) is partnering with Tileyard North, a Wakefield-based creative space, to support the North of England’s independent music sector.

The partnership will see AIM hold a permanent space at Tileyard North. The association is planning a series of activities in collaboration with the venue, while AIM members will have access to discounted rates at Tileyard’s creative spaces.

The initiative will begin with a roundtable event, strategically designed to anchor AIM in the North of England and bolster its efforts in talent development.

AIM’s Director of Business Development & Partnerships, Ben Wynter, said the collaboration is the first step to strengthen engagement with regions and nations outside London and the South East of England.

“Our collective aspiration is to eliminate the necessity for talented creatives and industry professionals to relocate to London in pursuit of success,” Wynter said.

“Instead, we want to support them to thrive locally, with AIM , contributing to the development of sustainable economies and ecosystems throughout the UK.”

Having opened in 2023, Tileyard has set ambitions of becoming the UK’s largest creative space outside of London.

“Wynter’s vision is completely aligned with ours and his pledge to build a home for AIM at our Tileyard North campus in Wakefield is testament to our shared aspiration to increase the opportunities for creative talent to incubate, develop and thrive in the North of England,” commented Nick Keynes, Co-Founder of Tileyard North.

Get Paid Guide for music creators published

The Intellectual Property Office (IPO) has published a Get Paid Guide which it says aims to help demystify metadata for music creators. 

The resource, developed in partnership with PPL and PRS for Music, guides creators on how to register and manage their metadata, so they can protect their recorded music rights and ensure they are paid fairly and timely for their work.

It follows the launch of a guide on intellectual property rights for songwriters and composers released last year.

IPO Head of Research, David Humphries, says that following the publication of the Metadata Agreement in May 2023, IPO and representatives across the music industry have worked together to determine how best to improve the quality and accuracy of data. 

He added: “Industry led working groups on technical solutions and education have been meeting regularly to consider how best to improve the current data systems and how best to engage with the creator community.”

Michelle Escoffery, President of the PRS Members’ Council, said the guide has all the tools to make it easier for creators to master the art of good music data. 

“My hope is that by simplifying what can be quite complex, we empower our songwriter, composer, and performer community to understand that inputting accurate music data is a key contributor to financial success,” Escofferey added.

“By closing the knowledge gap, we will improve the quality of metadata across the music industry and ensure we're paid timely and correctly for our creativity.”

DACS launches national survey of artists’ earnings 

Artists across the UK are being invited to take part in a survey intended to gain a better understanding of how they earn their money.

Commissioned by DACS (Design and Artists Copyright Society), the independent study will be conducted by the Centre for Regulation of the Creative Economy (CREATe), University of Glasgow.

The work follows a 2010 study that found artists' earnings averaged around £10,000 a year.

Christian Zimmerman, DACS's Chief Executive, said: “With the effects of Brexit, the pandemic, cuts to arts funding and the challenges posed by AI, it is more important than ever that DACS campaigns for stronger intellectual property protection, for policies that better support artists’ livelihoods, and for the arts to be a secure career prospect. 

"We need to build a clear and comprehensive picture of artists’ earnings today and how they are generating income in order to understand the challenges artists face in sustaining their practice. We want to hear from artists at all stages of their careers and from all disciplines.”

The survey, accessible here, is open from March to Sunday, 7 April. CREATe will publish a report on it in late 2024.

Chiswick House reveals 'creative campus' plans

Chiswick House & Gardens Trust (CHGT) has unveiled plans to create a new learning hub with facilities to support 200 volunteers and artists’ studios.

The project aims to address the charity’s long-term viability and will also work with local residents to turn an unused outdoor space into a fruit garden.

CHGT said creating its new "campus”, Cedar Yards, will support the growth and accessibility of its volunteering and community activity. The addition of affordable workspaces for up to 100 artists and makers will also offer a new source of income for the trust.

So far, a third of the project cost has been raised, underpinned by funding from London Borough of Hounslow through Strategic Community Infrastructure Levy (CIL) grants and funds from the Thriving Communities and Creative Enterprise Zone Grants. The rest of the funds are being raised from charitable and private sources.

Xanthe Arvanitakis, Director of Chiswick House and Gardens Trust, said: “This ambitious project has been designed to directly impact the wellbeing of our local community as well as enhancing cultural and creative enterprise activity in London Borough of Hounslow.

"By creating more public green spaces for local people, we can expand our learning and community programme, which is currently running at capacity. With the introduction of affordable workspaces for artists and makers, we will foster a local creative economy and generate much-needed new income for the trust.”

Manchester festival commits to supporting grassroots venues

The Music Venue Trust (MVT) has announced an agreement with RADAR Festival for a percentage of every ticket to go towards supporting grassroots music venues via the charity’s Pipeline Investment Fund. 

RADAR Festival, the contemporary indoor music festival in Manchester, is the first festival to agree to donate to the Pipeline Investment Fund which has awarded more than £260,000 to 61 UK Grassroots Music Venues since it was founded in 2022.

Co-organiser Catherine Jackson-Smith said: “If we don’t protect the smaller venues then there isn’t a pipeline for the next [festival] headliners, and this ticking time bomb is something that the music industry can, and must, take action on.” 

MVT CEO and founder Mark Davyd said: “We would like to extend our heartfelt thanks to RADAR Festival, for taking this bold step as the first festival to champion the Pipeline Investment Fund. 

"Their support is a strong commitment to the heart and soul of the UK's music scene, nurturing its roots through the vital network of Grassroots Music Venues."

PPL reports record high payments to performers

Collective management organisation PPL paid out £279.6m to 165,000 performers and recording rights holders in 2023.

This marks an increase of £34.9m (14.3%) on the previous year and is the highest annual total ever paid out in PPL’s 90-year history.

The £279.6m includes a payment of £7.7m by VPL, PPL’s sister company, which licences music videos when they are played in public or broadcast on TV. The £7.7m was a £1.6m increase on the previous year.

PPL cited the continued recovery from the Covid pandemic, as more businesses re-opened in the UK and globally, as a key factor in achieving the record total.

Its members receiving payouts range from independent and major record companies, to grassroots artists, session musicians and globally renowned artists. 

“We understand these payments are critical for many and we pride ourselves on our ability to deliver them consistently and on time,” said PPL CEO Peter Leathem.

“As neighbouring rights continue to develop around the world, we see a huge opportunity ahead to grow our market share and maximise revenues for performers and recording rights holders.”

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