Chrissie Tiller on Thatcher's legacy for business models in the arts.
Liz Hill worries that the dash for cash to plug the arts funding gap will undermine the work of artists and organisations that specialise in social impact work.
Liz Hill welcomes news of renewed efforts to measure the impact of the arts in more valid ways.
Christopher Maughan values this reflection on the dichotomy between commercial and public theatre.
Caroline Fentiman finds there is a lot that can be learnt from successful musical education practice from around the world.
In an edited extract from the provocation essay ‘Ditching The Renaissance’, Dan Eastmond says it’ s time for the arts to stop hiding behind the notion of benevolent failure.
An open dialogue between arts practitioners, public funders and the public is vital in developing the arts for the benefit of the wider community, says Liz Hill.
Tom Copley wants to find new homes for small-scale cutting edge theatre in London.
Joan Lazarus's invitation to "eavesdrop on voices from the field" of arts education has much to offer UK readers, says Roger Lang.