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Money for cultural content and skills development will be delivered across a five-year programme, starting in 2018.
A country-wide snapshot shows men remain more likely to work in senior roles, and half of BME arts workers feel their ethnicity is a barrier to success.
MP Tommy Sheppard has echoed calls by a new union-led campaign for fair wages and working conditions at the Fringe festival.
A ‘pay it forward’ pilot campaign aimed to help families most in need attend dance theatre performances, but it wasn’t all plain sailing. Rhona Matheson tells the story.
National Lottery operator Camelot expects “disappointing” sales to decline further this year.
Scotland’s year-round programme of cultural events attracts huge numbers of international visitors, but it takes careful strategic planning and continuous improvement, says Stuart Turner.
Young people in remote parts of Scotland have gained the skills to organise rural tours in a project designed to generate a new breed of arts promoters. Jo McLean describes their experience.
The introduction of two-year Open Project Funding is thought to have led to a drop in the number of arts organisations applying for Regular Funding.
Performing in concert halls around the world makes setting ticket prices tricky. So, explains Jane Donald, the RSNO begins by asking one simple question.
Arts organisations working on their funding bids have been asked to “budget realistically and focus on core need”.
Every child in Scotland will see a performing arts production in their school each year if the National Theatre of Scotland’s plans go ahead. Lucy Mason reviews the first year of a trailblazing new pilot.
National companies funded directly by the Government have reacted positively to the Scottish Government’s draft budget for 2017/18, given the wider economic context.
News of the scheme’s holistic benefits follows the announcement of £660k funding to music charities across the country.
A consortium of Scotland’s universities and art schools place researchers within arts and cultural organisations. Anna Scott discusses the benefits to all involved.
Productions chosen for the Made in Scotland showcase gain a stamp of quality, but how are they selected? Wendy Niblock asks members of the panel what they are looking for.
Thinking differently about how arts organisations talk to the private sector will be one of the keys to sustainability as limited resources pose challenges to artistic ambition.
Nine out of ten adults engaged with a cultural activity in 2015, but the Scottish Household Survey reveals engagement is lower in disadvantaged areas.
Creative Scotland is to gather evidence on individuals’ occupation, employment status and career progression across the country.
National Theatre of Scotland and Scottish Ballet are among the performing arts companies pledging to have a gender balanced board by 2020.
Paying artists fairly is listed in Creative Scotland’s new Arts Strategy among a range of measures to raise the profile of artists and the arts in Scotland.