Friday, 26 September 2014
Index on Censorship's Julia Farrington argues that the controversial cancellation of Exhibit B reveals the much bigger issue of mono-cultural bias in the arts.
After almost a decade at the helm of London’s Photographers’ Gallery, Brett Rogers discusses changes in the medium, the importance of trainee programmes and why photographers are interested in accountancy.
Thursday, 25 September 2014
Graeae highlights the impact that cuts to the Access to Work budget are having on its work, and the implications for the next generation of artists and theatre-makers.
Tuesday, 23 September 2014
Amelia Cavallo shares her fears for disabled artists as they battle not just arts cuts, but Government policies that are making it harder for them to live independent and fulfilling lives.
In Channel 4’s ‘Don't Stop the Music’, James Rhodes is like a knight on a white charger. Will he save the day, or leave a wake of unfulfilled aspirations? Nigel M Taylor is sceptical.
Monday, 22 September 2014
Natricia Duncan questions the “civilising” status awarded to classical music.
The sponsorship of arts institutions by organisations with questionable ethics is leading to growing discontent. Are we reaching a tipping point, asks Rachel Spence.
Following the Scottish referendum, Mark Littlewood examines the potential of devolution and suggests that much government expenditure, including arts funding, should be handed over “hook, line and sinker” to the constituent parts of the UK.
Friday, 19 September 2014
As he takes the helm at the Royal Conservatoire of Scotland, American Jeffrey Sharkey discusses his leadership style and why he is excited to be in Scotland.
Sarah Cassidy investigates an initiative that is trying to open up the world of classical music to a wider pool of talented young people.
Tuesday, 16 September 2014
Actor Sam West and ConservativeHome website editor Mark Wallace discuss why artists tend to be on the left politically.
Thirty years ago the US began allowing artists to retain the copyright of their publicly purchased artwork. The consequences? Well, have you ever heard of Portlandia, asks John Locanthi.
As cultural organisations rely more and more on volunteers, they risk becoming the exclusive domain of the middle class, argues Sam Reyes.
Friday, 12 September 2014
Diane Parker writes about her experience working as a dance movement psychotherapist in a forensic mental health setting.
Zita Holbourne argues that the re-enactment of horrific racist atrocities in ‘Exhibit B’ is not liberating for those who continue to experience racism daily, but the art elite won't listen.
London’s theatre scene is being transformed by a new generation of young, often female, producers who happily move between the commercial and subsidised sectors, observes Lyn Gardner.
Wednesday, 10 September 2014
When it comes to culture, is Scotland already independent, asks Allan Massie.
Elizabeth Newman argues for the value of young people studying drama, not just for society, but for the growth and development of individuals.
Carolyn Sims urges charities to consider a loan to enable them to grow services, diversify income streams or make the most of a new opportunity.
Now is the time for galleries and museums to embrace digital publishing, argues The Getty’s Anne Helmreich.