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More orchestras are breaking out of concert halls and playing in non-traditional venues, but does this ever lead to increased ticket sales to millennials, asks Justin Davidson.

A shoeless, slightly puzzled crowd milled uncertainly around the open floor of the Synod House at the Cathedral of St. John the Divine, searching the gallery and timber rafters for a sign that something was going to happen. Somewhere, a piano played the introduction of Brahms’s Ein Deutsches Requiem, and then quiet voices lifted among us, so dispersed in the stone-walled room that... Keep reading on Vulture