They’re cheap, great for tourism and signal global cultural awareness, but art biennials also raise a host of problem. Are they worth it, asks Oliver Bennett.
It was like a cultural version of Davos, held in the wintry grandeur of central Oslo. For three days, delegates and guests sat in a conference called Oslo Pilot, holding critical discussions about “relational aesthetics” and the role of public art in society... Keep reading on The Guardian
It was like a cultural version of Davos, held in the wintry grandeur of central Oslo. For three days, delegates and guests sat in a conference called Oslo Pilot, holding critical discussions about “relational aesthetics” and the role of public art in society... Keep reading on The Guardian