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Mari Valverde isn’t surprised that those new to classical music don’t enjoy it – their ears haven’t been trained. Could some clever programming be the answer?

I am on a date, and he asks me, “What do you do?” I tell him, and if he is not scared away, we go to my car and I play him select recordings of my music. I am notably vulnerable, and he is just calm. Then, I ask him what he thinks. The reaction is routine.
Whether it’s him, a family member I have not seen in a while, or an old friend from high school, upon hearing my work, they may describe my music as “beautiful” or “relaxing.” These are not bad terms, but my heart cries that they cannot fully digest what I and my collaborators have made—the inspiration, the obsession, the hours of self-doubt, the days of rehearsal, and the anticipation. And what they experience is just, “Mmm.”
Do they hear the intricacies? Do they experience the seduction of a modulation or harmonic parenthesis? Do they feel the tension created by suspension or sense the folding of time created by contrapuntal rhythms or melodic heterophony... Keep reading on NewMusicBox

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