The children of well-known actors and writers may not have to struggle so hard to find a route into those professions, but they'll fail to sustain a career if it's only their name that got them there, says Alexander Larman.
The other day, I discovered that a talented young writer was publishing her first novel. She seemed to have a good, if not unusual back story; she had been working as a bookseller in the estimable Mr B’s Emporium in Bath and had published her debut collection of short stories earlier this year. And then I caught sight of her name, Naomi Ishiguro. My first reaction was to wonder whether it was merely a coincidence that she shared a surname with the Nobel Prize-winning Anglo-Japanese author Sir Kazuo Ishiguro, but it was not. She was interviewed in The Guardian earlier this year about her writing and was nonchalant about her famous father, saying of his Nobel Prize that “I could barely get to speak to him on the phone because there were all these journalists outside the house”. She also remarked that having a writer as a father made a writing career “feel possible; it doesn’t feel completely mystical” and that “You think: ‘I can make this happen if I want to, it’s just that I’ve got to work hard.’”
There are few issues that lead to such widespread feelings of anger and frustration as the idea of nepotism, especially in an artistic or literary context. For many would-be writers or actors, in particular, the suspicion remains that both industries operate as essentially a closed shop, and entry can only be obtained to the glamorous and well-remunerated professions through having a famous name or similarly high-profile connections... Keep reading on The Critic