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Documenta 14, the art exhibition controversially taking place in Greece and Germany simultaneously, was hoped to mend relations between the two countries. But is it any more than “crisis tourism” coupled with artwashing, asks Dorian Batycka.

The auspicious arrival of Documenta 14 in Greece earlier this year has so far met considerable controversy in a country still coming to terms with the 2008 financial crisis, social unrest, and the ongoing issue of refugees entering the country’s porous southern Mediterranean border. Athens stood out as a curious choice for Documenta right from the start, immediately spurring speculative criticism since the announcement nearly five years ago that it was to be split between its usual host... Keep reading on Hyperallergic

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(Hyperallergic)