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In the last century, television didn't kill theatre or VHS kill cinema. But has the uneasy balance between staying in and going out been tipped by Covid? It's time for cultural organisations to embrace a remote strategy, says Matt Locke.

Here’s a list of some of the live events I’ve seen this year:

  • Laura Marling at the Union Chapel
  • Lianne Le Havas at the Roundhouse
  • Nick Cave at Alexandra Palace
  • Billy Eilish live in LA
  • Pretty much every game the Boston Red Sox played this year
  • Every game Tottenham Hotspur have played this year
  • Barbershop Chronicles at the National Theatre
  • Twelfth Night at the National Theatre
  • A Midsummer’s Night Dream at the Bridge Theatre
  • A Streetcard Named Desire at the Young Vic
  • Hamilton at the Richard Rogers Theatre, NYC
  • Bruce Nauman at the Tate Modern
  • Andy Warhol at the Tate Modern

That would be a pretty good list of events any year, but of course, 2020 was an exception. I managed to see all these things whilst locked down, in my living room, because of Covid.

Some of these events I would have gone to anyway - I’d bought tickets to go to Bille Eilish in London with my daughter, and would probably have gone to at least one of the other gigs and a couple of Spurs games. But many of them I wouldn’t... Keep reading on How to Measure Ghosts

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The Year of Remote Culture (How to Measure Ghosts)