The UK’s live music culture is under threat, but the census of live music will provide a cohesive picture of the situation to inform policy-making, argues Adam Behr.
The UK’s live music culture is under threat, but the census of live music will provide a cohesive picture of the situation to inform policy-making, argues Adam Behr.
From the Proms to Glastonbury, the UK’s music has always been as clearly characterised by live music as bestselling recordings and star biographies. The rich history of our musical spaces illuminates the evolution of an array of musical styles and their social contexts.
But the relationship between music makers and policymakers hasn’t always been plain sailing – particularly when new genres burst into the public consciousness. Explaining Glasgow... Keep reading on The Conversation