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Resourceful artists and producers don't see digital theatre serving as a mere stopgap, says Gordon Cox, but as a creative opportunity that will delight audiences even after the return of theatre as we knew it.

A series of immersive audioplays performed and mixed live, using tech developed by theatrical sound designers and engineers. A summer festival’s entire season of new plays and classics released on Audible. A wild satire of gay identity politics, beamed to your computer in a high-gloss, multicamera broadcast from a theater space in Brooklyn. A playwright’s recreation of “The Seagull” in “The Sims 4,” livestreamed on Twitch.

This is theater in 2020, as the pandemic has prodded an ancient art form — and an often hidebound industry — to explore the digital potential it’s eyed so warily in the past... Keep reading on Variety