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The classical establishment may be forced to recognise contemporary composers who mix live instrumentation with electronics, says Hazel Sheffield.

“What happens in the space where genres, sounds and ideas collide?” asked the Barbican when it invited the German pianist and composer Nils Frahm to put together a weekend of music in July.
Here’s what happened: Frahm’s show sold out in minutes. The event was heralded by BBC radio DJ Gilles Peterson, who invited Frahm to join him on his Saturday show... Keep reading on The Independent