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There are more successful methods of commemorating an individual, an event or an emotional response than by reproducing them with a sense of fidelity, says Emma Evelyn Roberts.

There was much upset when the first statue tribute to the pioneering feminist and author Mary Wollstonecraft was unveiled at Newington Green, north London. Created by Maggi Hambling (CBE), the silvered bronze sculpture features a small naked woman emerging from the flames of sacrifice. It has solicited responses like that of The Guardian’s art critic, Rachel Cooke, who entitled her critique: Poor Mary Wollstonecraft – Reduced to a Pippa Doll with Pubic Hair.

Over 90% of London’s monuments celebrate men. This statue is one of just a few commemorating women around the capital and, for that, it should be celebrated.

But, pubic critics aside, the statue also opens up some interesting debates about public monument culture and the embrace of more abstract works that are informed by a community rather than the ideas of one artist... Keep reading on The Conversation