Entertainment company acquires London theatre app

18 Nov 2022

Trafalgar Entertainment has acquired London theatre app Stagedoor.

The app is considered London’s most comprehensive theatre guide, featuring audience and critic reviews and a booking process.

Terms of the deal have not been disclosed, but Trafalgar Entertainment Group Chief Operating Officer Helen Enright has said the acquisition will allow for expansion of the app’s reach and offering.

“Crucially, this acquisition and investment in Stagedoor will add greater value to producers, and the additional sales channel will enable us to reach a broader audience and gather valuable data from committed theatre goers,” she added.
 
As part of the deal, Stagedoor’s staff along with its Co-Founders, Chief Executive Michael Hadjijoseph and Chief Technical Officer Alex Cican, will remain with the company to “ensure that future business ambitions are fulfilled”.

“Our vision for Stagedoor is completely aligned with the capabilities of a larger organisation like Trafalgar Entertainment, and the synergies between other portfolio companies in Trafalgar Entertainment’s group gives us confidence that we will be able to realise Stagedoor’s full potential in becoming the new home of theatre,” Hadjijoseph said.

Drama school to open in Suffolk

16 Nov 2022

A new drama school offering students a diploma in musical theatre industry preparation is opening in Bury St Edmunds, Suffolk.

CAST will open its doors to 25 students each year, at the cost of £10,000 annually, with its first cohort scheduled to start in September 2023.

The three-year diploma will train students in singing, acting and dancing, alongside offering training in self-management, working as a freelancer and managing social media.

West End performer Ruthie Henshall is opening the school, supported by composer Claude-Michel Schönberg and choreographer Stephen Mear.

Henshall said a large part of the training at CAST will ensure graduates can stay relevant within a rapidly changing industry.

“I am lucky enough to have been able to call on an illustrious panel of rising stars and musical theatre legends to develop a course and ethos that best serves our students as they start their journeys in this new world,” she added.

CAST will be accepting applications from both UK-based and international students, with an online submissions portal now open.

Increasing numbers 'unsure about future theatre attendance'

10 Nov 2022

A survey has found that theatre audiences who usually buy the "most affordable" tickets are disproportionately concerned about a drop in their disposable income.

The October 2022 UK Performing Arts Survey garnered 1,000 responses from the audiences of 38 theatres. Of those who look for the "most affordable" seats, 41% said that over the next six months they expect their disposable income to reduce a lot, or to have little or no disposable income.

This compares with 20% of audiences who usually purchase the "best available" tickets.

In the next 12 months, only 6% of respondents expected their attendance at live performances to decrease, compared with pre-pandemic levels.

This rises to 8% for those who usually pay less than £15 for a ticket; purchase the most affordable tickets; or have a health problem or disability that significantly limits their activity.

The survey is managed by TRG Arts/Purple Seven on behalf of participating venues.

TRG Arts UK Managing Director Tony Followell said: “It is concerning to that see the numbers who are unsure about their future attendance is growing.

"Venue managers should be acting now to ensure their pricing strategies are fit for purpose in the challenging times ahead.”

Cambridge theatre submits plans for rooftop venue

08 Nov 2022

A Grade II listed theatre building in Cambridge has unveiled plans to build a new 200-seater rooftop studio theatre.

City centre venue the Cambridge Arts Theatre also plans to refurbish its main 666-seat auditorium.

In planning documents submitted to Cambridge City Council, the theatre said that the new space will enable it to increase its repertoire of incoming shows.

It will also provide "the opportunity for a variety of different endeavours, including in-house productions, collaborations with university and educational faculties, as well as facilitating a more diverse range of shows and performance types".

The studio will replace a disused restaurant. Proposed building work will include the demolition of a sloping glass roof to be replaced by a flat roof with solar panels "sited where practical".

The plans state that the new rooftop venue will have "a distinctive chimney and modelled brick facade", with bricks of a "warm grey hue" in order to "sit comfortably with the historic Cambridge gault bricks".

Theatre subtitling declines post-lockdown

08 Nov 2022

Access charity Stagetext has reported a marked drop in demand for the digital subtitling of theatre productions following the return of in-person performances.

It has received 39% fewer requests for digital subtitles during 2021/2022 compared with 2020-2021.

At the same time, the number of captioned live theatre performances has not returned to pre-Covid levels. The deaf-led charity said captioned performances have dropped by 7.5% in 2021/2022 compared with 2019/20, representing 24 fewer captioned shows. 

A recent survey of museum and heritage websites paints a similarly bleak picture for those who would benefit from subtitled video content. The Heritage Access 2022 survey – launched by charity VocalEyes in partnership with Stagetext, Autism In Museums, and the Centre for Accessible Environments – found 53% of videos across more than 3,000 websites were not subtitled.

Stagetext Chief Executive Melanie Sharpe said: “Deaf people in the UK want to visit a museum and be able to watch video exhibits; they want to see the trailer for a theatre production, with subtitles, and then be able to book a captioned performance for the same show.

“There are millions of people who would pay to visit an exhibition, see a performance, or share a venue’s content, if the venue just made these things available to deaf people.”

Stagetext's report comes ahead of its annual Captioning Awareness Week 2022, which will run from 14 to 20 November.

Birkbeck proposes cuts to creative teaching

03 Nov 2022

Birkbeck, University of London plans to cut 140 roles this academic year, including up to 11 staff in the department of English, theatre and creative writing.

Birkbeck, which offers classes almost exclusively in the evenings, says the proposals, if approved, could lead to the loss of up to 140 posts. A spokesperson for the university said that many of these are already vacant or will become so over the academic year.

Alongside cuts to English, theatre and creative writing, up to seven roles in film, media and cultural studies will be affected.

Birkbeck has said it needs to make the cuts to fill a multi-million pound deficit caused by a fall in student numbers, but the union has vowed to fight the proposals, saying they are "a disaster for students and the university".

Last week Birkbeck's local University and College Union (UCU) said overwhelmingly voted for a motion of no confidence in the senior leadership team and to move towards an industrial dispute. 

UCU Birkbeck branch president Mike Berlin said: "We will not allow hard working staff to lose their jobs because of mistakes by senior management. 

"Birbeck's cuts, which do not include any plans for recovery and growth, are a recipe for managed decline. Birkbeck has a proud history of reaching students who otherwise would not enter higher education. 

"Sacking 140 staff, including up to one in four teaching staff, threatens to trash that history. The cuts would severely harm student learning and jeopardise the university's commitment to social mobility and lifelong learning. 

"We urge management to rethink its knee jerk job cuts and instead work with us to look at how we can attract more students. If the university refuses to do so we will have no option other than to begin taking steps for an industrial ballot."

Access shouldn’t be an afterthought

Image of a man and woman (in a wheelchair)
02 Nov 2022

Leeds Playhouse runs courses for D/deaf and disabled artists wanting to enter the theatre. Rio Matchett shares what they have learned through this access work.

‘Being with’ in theatre

Oily Cart Light Show
02 Nov 2022

A new report from Oily Cart explores making theatre for and with children who have the most barriers to access. Ellie Griffiths summarises the learning for those seeking to make accessible theatre.

Equity secures 'environmental progress' deals

Exodus at National Theatre of Scotland, case-studied to Green Book Theatre standard
31 Oct 2022

Performers' union Equity announces 'landmark' agreements with two theatre companies, claiming them to be the first of their kind in the world to contain commitments to sustainability.

Sustainable theatre production: case studies

26 Oct 2022

A multiple case study is promoting new ways for theatre to make sustainable productions. Roberta Mock and Siobhan Bauer report on three companies putting the Theatre Green Book into practice.

Prioritising children’s well-being

Tangled Feet's production of Butterflies
26 Oct 2022

Poor mental health among young people is on the rise. And with it, the broader conversation about how theatre can be a useful tool for dealing with complex emotions, anxiety and stress, as Peter Glanville explains.

Mountview returns to joint leadership structure

25 Oct 2022

Mountview Academy of Theatre Arts has reverted to a joint leadership model.

The decision follows the resignation of Chief Executive and Artistic Director Abigail Morris, who took up the post in September last year.

According to The Stage, Morris left the drama school in summer. Former Head of Undergraduate Performance Sally Ann Gritton is now Principal, with Sam Hansford, who was previously Executive Director at the Yard Theatre, now Executive Director.

A Mountview spokesperson said the school’s board took the decision to revert to being led jointly following Morris’ resignation.

Liverpool Institute for Performing Arts scraps audition fees

19 Oct 2022

The Liverpool Institute for Performing Arts (LIPA) is making all of its auditions free of charge.   

The higher-education provider says the move, which follows the removal of first stage audition fees last year, is in recognition of the current cost of living crisis and is part of its ongoing effort to increase access and diversity.  

It has come into immediate effect for students auditioning this year for September 2023 entry.

LIPA also plans to continue with a commitment of offering travel grants to applicants attending auditions who come from areas where participation in higher education is traditionally low, which has been running since 2011.  

“We want all aspiring performers and creative artists of the future to have the opportunity to undertake world leading professional vocational training so they can further their ambitions and fulfill their potential in pursuit of developing a career in the creative industries,” Principal and CEO Sean McNamara said.

Performing artists need policy support

Man performance circus act on trapeze
18 Oct 2022

How can cultural policy support freelance performing artists? It's a question Cecilia Dinardi has been asking in her latest research into the impact of Covid. 

Tottenham Hotspur embarks on youth theatre drive

17 Oct 2022

Ambassador Theatre Group (ATG) and football team Tottenham Hotspur will work together to improve theatre engagement in young people in the London Borough of Haringey, it has been announced.

The organisations are launching West End in Tottenham, a series of workshops for young people aged 11-18 years old that plan to “celebrate London’s arts and culture and put the voices of N17 centre stage”.

Workshops range from physicality and movement to beatboxing and hip-hop, with participants also invited to attend a West End stage show.

The sessions will take place at the London Academy of Excellence on the Tottenham Hotspur Stadium campus throughout the current school term.

Tottenham Hotspur Executive Director Donna-Maria Cullen said dreams of being on stage can “seem so distant” for young people in the neighbourhood.

“West End In Tottenham can change that and open the eyes of Tottenham teenagers to the world of performing arts through a series of engaging and inspiring workshops, held right here on our stadium campus,” she added.

Sessions are available to book here.

Nottingham's Nonsuch Studios awarded charitable status

13 Oct 2022

Artist-led Nonsuch Studios in Nottingham has been awarded charitable status after eight years as a not-for-profit organisation.

Founded in 2013, the independent theatre and creative venue produces theatre and performance events, including large-scale community projects across the UK.

It has been based in a former industrial warehouse on the edge of Nottingham city centre since 2019.

Founder, Artistic Director and CEO, Edward Boott said: “Being awarded this status means we’ll be able to work harder and better for the benefit of the whole community of Nottingham and beyond.”

Arts Council Wales warns of theatre closures

10 Oct 2022

Theatres could face closure if they do not receive support to help with the cost-of-living crisis, the Arts Council of Wales (ACW) has warned.

Giving evidence to a Welsh Government inquiry on the impact of rising costs, ACW interim chief executive Michael Elliott said more than 50% of arts venues that replied to a recent survey claimed they would be reducing their activities due to increasing costs.

Elliott said theatres would have to start looking at "safe, more well-known programming" of shows rather than more "creative and riskier programming" to make sure money is recouped, while touring productions would be seeking guarantees or fixed fees from theatres and venues.

In accompanying written evidence ACW said there has been a 20% to 40% increase in the costs of making productions since last year.

The submission also highlighted that independent arts companies and venues would 'face closure without increased support'.

It warned that ticket prices could be raised in response, with a reduction to the number of 'performances, exhibitions, community activity, touring, hours of operation and workforce levels' if support is not secured.

A leadership model for the future

Core Artists of Unlimited Theatre
05 Oct 2022

The challenges of shared leadership are the subject of much discussion, but the rewards are great, as the Core Artists of Unlimited Theatre have discovered over the last year. 

European theatres collaborate on inclusive programme

04 Oct 2022

Eight theatres around Europe are participating in a new project that will create texts on diverse and inclusive topics for young theatre audiences across the continent.

Young Europe IV is the fourth edition of European Theatre Convention’s Young Europe project, which has been running since 2008.

It will see the Belarus Free Theatre, which is currently based at London’s Barbican Centre, work alongside theatres in Germany, Cyprus, Slovakia, Slovenia, Malta and the Netherlands.

The new, diverse plays will cover issues from mental health to sexuality to the Israel-Palestine conflict and will be performed in school classrooms across Europe.

A separate strand of Young Europe IV, the Forgotten Plays Committee, will select and revive dramatic work by writers from non-dominant backgrounds that have been overlooked, either because of the background of the playwright or theme of the play.

Artistic Lead on Young Europe IV Paulien Geerlings says the European theatre world currently remains the white, heterosexual, male gaze that determines our experiences.

“Women, BIPOC, the LGBTQIA+ community…everyone needs to see themselves represented in the stories that are told. If there is hardly any representation, and the representation that does exist always confirms the same (often problematic) stereotype, as a person or child belonging to a marginalised group you cannot relate to the multitude of possibilities your counterparts are provided with. 

“That is why it is time for a new repertoire – to stop people from being reduced to the ‘single story’ that they have heard all of their lives.”

An online launch event is scheduled for Thursday (6 October) evening.

Pay insecurity and harassment make freelancers lot an unhappy one

Actors on stage
04 Oct 2022

Poor pay, a lack of regard for well-being, and a corrosive 'show must go on' culture are the norm for the UK's theatre sector freelancers, a new report says.

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