Jana Perkovic explores the future of dance: immersive, virtual reality environments.
How do you capture a stage show on screen? The challenge has always been to somehow translate the multidimensional experience of live performance – in which the spectator chooses where to focus attention – to the guided eye of film, where it’s the director who decides what to zoom in on, and for how long.
The frustration runs both ways. When filmed, the panoramic experience of a stage can create the effect of watching grass grow in a very large savannah; meanwhile, the language of edits and pans... Keep reading on The Guardian
How do you capture a stage show on screen? The challenge has always been to somehow translate the multidimensional experience of live performance – in which the spectator chooses where to focus attention – to the guided eye of film, where it’s the director who decides what to zoom in on, and for how long.
The frustration runs both ways. When filmed, the panoramic experience of a stage can create the effect of watching grass grow in a very large savannah; meanwhile, the language of edits and pans... Keep reading on The Guardian