Protestors shun Science Museum over coal sponsor

31 Aug 2022

Over 1,000 tickets for a late night event held at the Science Museum yesterday (31 August) went unused in protest over the museum's coal sponsorship.

The event, Science Museum India Lates, was targeted because of to the museum's sponosorship deal with Indian coal-producing conglomerate Adani, first announced last October.

While the event was taking place, a group including young people, teachers, grandparents, local residents and scientists protested outside. Representatives of the South Asia Solidarity Group gave an unsanctioned speech inside the museuem.

A spokesperson for South Asia Solidarity Group expressed outraged that Adani is sponsoring a new gallery which focuses on the transition to green energy.

"This sponsorship is a blatant attempt to greenwash the Adani Group’s destructive activities - an attempt the museum sadly seems all too happy to play along with."

Museums that reflect Brummie-ness

Exhibition piece inside Birmingham Museum
31 Aug 2022

As Birmingham applauds the extraordinary success of the Commonwealth Games, Sara Wajid and Zak Mensah reflect on the role of museums in shaping the city’s future.

Refurbishment of Preston’s Harris Museum begins

24 Aug 2022

The Harris Museum in Preston is set to undergo a £14m refurbishment with the keys officially handed over to a construction company this week.

The Harris Your Place project aims to "restore and reimagine" the Lancashire museum. In preparation for the massive refurbishment, more than 250,000 objects have been removed from the site by expert movers and placed in storage. Works including oil paintings, watercolours, sculptures, drawings and prints have been individually cleaned using conservation tools.

The museum's ceremonial key, designed by Alfred Gilbert, was initially used to open the Harris back in 1893 by Arthur Stanley, the 16th Earl of Derby. It consists of an Art Nouveau-style openwork terminal enclosing a rock crystal drop below a finial crown and features an enamelled coats of arms from the Stanley family.

This week, Peter Kelly, Cabinet Member for Arts and Culture at Preston City Council, will hand it to Michael Conlon, chairman of Conlon Construction, signalling the official launch of the restoration project.

“Accepting the ceremonial keys to the Harris, a building of tremendous cultural and historical significance to the city of Preston, is a huge honour,” said Conlon.

The museum will reopen in 2024 and hopes to see annual visitor numbers increase from 350,000 to 450,000.

Proposals for branch of Natural History Museum in Scotland stall

24 Aug 2022

Plans to establish a new branch of the Natural History Museum in Scotland have stalled due to staffing changes at the Department for Digital, Culture, Media and Sport (DCMS), it has emerged.

Aberdeen City Council is considering the viability of transforming the Norco House building, a Brutalist landmark that until recently housed a John Lewis department store, into a satellite of the museum.

The store closed in December 2020 and the building was subsequently used as a Covid-19 vaccination centre. It is now up for sale for £5m and the council has been attempting to discuss the project with DCMS, which directly sponsors the Natural History Museum.

A report published by the council reveals that while “officers are looking to meet with the head of cultural development and place-based investment to discuss the proposal”, the plans “have not progressed due to changes in personnel in DCMS”.

DCMS’s previous head of cultural development moved to a new post in April and the post has not been occupied since then.
 

Theatres receive funding to 'unlock their heritage'

23 Aug 2022

Two theatres in Bradford have received more than £180,000 from the National Lottery Heritage Fund to help them explore their history.

St George’s Hall, which opened in 1853, has hosted big names including Charles Dickens, Harry Houdini and David Bowie.

The Alhambra Theatre, built in 1913 and home to Bradford’s annual pantomime, has hosted acts such as Laurel and Hardy and Morecambe & Wise.

Yorkshire Live reports that the money will fund a a three-year project, starting this month, to develop and deliver “an extensive heritage activity programme”. The programme will look at, among other things, the lengthy history of pantomime at the Alhambra.

The cash comes from the Lottery’s Heritage Centre Stage activity programme. The Lottery says the funding will “unlock the heritage associated with Bradford’s historic city centre venues and engage with a range of people in the district”.

Sarah Ferriby, Bradford Council’s Executive Member for Healthy People and Places said: “Culminating in 2025 when Bradford will be UK City of Culture, we are thrilled to receive this award from The National Lottery Heritage Fund for our project; Heritage Centre Stage which will support a range of people from across the Bradford district to engage with the heritage in our fantastic, historic venues, in a way which has real meaning to their lives.”

Economic value of museums and galleries on the rise

The interior of the National Gallery
23 Aug 2022

Latest government figures show the value to the economy of museums and galleries has rebounded to near pre-pandemic levels.

England's largest free heritage festival returns

22 Aug 2022

Many arts buildings will open for free next month as part of England’s largest festival of history and culture.

Organised by the National Trust, Heritage Open Days gives families free access to cultural buildings including museums and galleries.

More than 670 free events are planned across the event’s 10-day period, from 9 to 18 September.

According to the trust, this year's theme - Astounding Inventions - puts focus on overlooked inventors and those whose creations we couldn’t live without.

"Whether it's a doorstep discovery, a local curiosity, a world-famous attraction or a one-of-a-kind experience - there really is something for everyone this year," said Heritage Open Days Marketing and Projects Manager Liam Montgomery.

A full list of free events is available on the Heritage Open Days website.

Glasgow museums to repatriate artefacts to India

22 Aug 2022

Glasgow’s museums will be the first in the UK to repatriate artefacts to India after Glasgow Life, the charity which manages the city’s museum collections, signed an agreement to return seven Indian antiquities.

Work on the repatriation of the artefacts began in January 2021 and was recently approved by Glasgow City Council’s City Administration Committee.

Dignitaries from the High Commission of India were welcomed for a transfer of ownership ceremony at Kelvingrove Art Gallery and Museum last Friday (19 August).

The repatriation is part of a wider move by Glasgow Life Museums, which is also repatriating 19 Benin bronzes to Nigeria and 25 Lakota cultural items sold and donated to the city’s museum collection in 1892.

In June, the museums welcomed a delegation from Nigeria’s National Commission for Museums and Monuments to discuss the transfer of ownership of the artefacts and future dates for their return.

Duncan Dornan, Glasgow Life's Head of Museums and Collections, said the transfer of ownership “symbolises a significant step for Glasgow, with the city continuing its positive repatriation history by ensuring these cultural artefacts are placed back in the hands of their legitimate owners.”

“Credit must be given to the High Commission of India and British High Commission for their cooperation and support. We look forward to continuing our work with the Indian authorities to deliver the safe return of these artefacts,” he said.

Scottish museum faces calls to return totem pole

18 Aug 2022

The National Museum of Scotland is being urged to return a totem pole, stolen from Canada nearly 100 years ago, to a delegation of First Nations leaders.

The pole was removed from a sacred “house group” in the Nisga’a Nation in 1929 by Marius Barbeau, a Canadian ethnographer and anthropologist who sold it to the Scottish museum. Hand-carved in the 1860s, it depicts the story of Ts’wawit, a Nisga’a’ warrior killed in conflict.

Barbeau, who conducted fieldwork beginning in the 1910s, has been criticised for inaccurately portraying indigenous cultures.

The repatriation of the object is in line with the 2007 United Nations Declaration on the Rights of Indigenous People, signed by the United Kingdom, as well as with the provisions for repatriation laid out in the Nisga’a Treaty, which came into effect in 2000.

If the museum agrees to repatriate the artefact, it will be the second totem pole repatriated to Canada from a European museum. The Haisla G’psgolox pole was returned to Canada from Sweden’s Museum of Ethnography in 2006.

The delegation, which consists of the Nisga’a Nation Chief Earl Stephens, Amy Parent and Shawna McKay, will meet museum officials next week.

“This will be the first time in living memory that members of the House of Ni’isjoohl will be able to see the memorial pole with our own eyes,” Stephens said. “This visit will be deeply emotional for us all.”

Police warn of rise in heritage crime

17 Aug 2022

Some of Britain’s historical artefacts are at risk of being lost forever amid a rising wave of heritage crime, a senior police officer has warned.

Assistant Chief Constable Rachel Nolan told the Telegraph that thieves are increasingly targeting churches and other historic sites around the UK, confident they can steal valuables or raw materials undetected amid shrinking congregations and waning interest in local historical sites.

Nolan, who was appointed national policing lead on heritage crime two years ago, said that police receive very little intelligence about crimes against historic buildings and monuments, in contrast to other crimes such as antisocial behaviour.

She warned that public "antipathy” towards the protection of heritage assets is worsening the problem and said that the scale of heritage crime is hard to judge because it is often unreported.

A total of 16 churches were targeted by thieves in July and previous research has found that nearly 20% of listed buildings were physically affected by crime in the space of a year.

“I think the thing to remember with heritage crime is that some of the things that are targeted are literally priceless,” she said.

“I think we should not necessarily judge the individual objects, just looking at how we can protect them and keep the country’s stories alive.”

Museum service undergoes rebrand

15 Aug 2022

Brighton & Hove’s museum service, previously known as the Royal Pavilion & Museums Trust, has announced details of it new name and brand identity.

The service, which was previously council-run but moved to trust status in late 2020, will be known as Brighton & Hove Museums.

The organisation said the new name and refreshed website and logo are intended to “communicate the direction being taken across the service since the museums became an independent charitable trust”.

Meanwhile, two of the trust’s sites have been renamed to recognise the importance of their outdoor spaces to visitors - the Royal Pavilion will now be known as the Royal Pavilion & Garden, and Preston Manor will be known as Preston Manor & Gardens.

Legal ruling raises prospect of huge savings for museums 

The interior of the Laing Art Gallery in Newcastle
15 Aug 2022

Calls for government body that sets business rates for museums and galleries to review its methodology following latest legal defeat on the issue.

Repatriation: Museums must be 'transparent' about collections

A room at the British Museum
11 Aug 2022

Fresh guidance on repatriation calls for museums to tell the full stories behind their collections, including items that may have a controversial past.

Brunel Museum to support young women in engineering

10 Aug 2022

The Brunel Museum has announced it will use funding from the Esmée Fairbairn Collections Fund to create a new programme in support of young women in engineering.

The project, entitled Sophia’s Story, was inspired by Sophia Brunel, the older sister of civil engineer Isambard Kingdom Brunel. Once described by Lord Armstrong as “Brunel in petticoats”, she was a promising engineer in her own right.

The project is designed to help girls and young women under the age of 15, both within and outside school settings, to engage with engineering. It has three strands, each targeting different age groups.

As part of the programme, the museum will work with students at Bacon’s College in Rotherhithe to develop a film about women in engineering for inclusion in the museum’s permanent exhibition. 

The project is designed to help improve gender representation and access to female role models in engineering careers by delivering sessions tackling gender stereotypes to co-ed schools, with the intention of training boys and young men to recognise and challenge gender bias.

It also aims to encourage young women in the early years of secondary school to consider taking STEM-related GCSEs.

Heritage Fund moots investment in 'places of need'

People in a park
10 Aug 2022

New investment strategy for National Lottery Heritage Fund likely to feature larger grants for increased impact, with a focus on areas with greater need for support.

Controversial museum expansion given green light

10 Aug 2022

Controversial plans to add a new central hall to the National Railway Museum in York have been approved after a knife-edge vote from members of the local planning committee.

The plan to join the museum’s two halves with a rotunda has attracted opposition from local residents because it will close Leeman Road, a direct route used by people to access the city centre.

Residents will be able to pass through the museum to reach the city centre but access will be limited to opening hours and could involve delays and bag searches. An alternative route around the museum is expected to add 400 metres to the journey.

The application was initially deferred for a month at a meeting in July to allow an equalities impact assessment to be carried out, after councillors raised concerns about accessibility for disabled residents.

But disability rights campaigner Flick Williams described the assessment as “a hastily completed desktop exercise” and specialist access consultant Helen Kane described it as having “serious failings”, according to Yorkshire Live.

The museum’s director, Judith McNicol, said the museum took “issues surrounding access and equality very seriously” and said that the museum had employed accessibility consultants when designing the building.
 

Deprivation gap for arts participation widens

people visit a museum
05 Aug 2022

Government figures suggests the gap in participation in the arts between the most and least deprived people widened as the country emerged from Covid restrictions.

Visitor attraction to open after £28m redevelopment

03 Aug 2022

The world's first iron-framed building will open next month as a visitor attraction following a £28m restoration.

Known as the "grandparent of skyscrapers", the Main Mill structure at Shrewsbury Flaxmill Maltings paved the way for modern-day skyscrapers as the world’s first iron-framed building following construction in 1797.

The site, consisting of eight listed buildings, has been closed for the past 35 years, but four of the buildings are due to open next month as a visitor destination and workspace following a £28m, eight-year restoration programme overseen by Historic England.

The opening will be accompanied by a new exhibition, "The Mill", telling the story of Shrewsbury Flaxmill Maltings, its crucial role in the industrial revolution and those who campaigned to save it. 

Heritage support programme returns for third year

03 Aug 2022

The third round of a programme aimed at responding to the challenges and financial constraints currently facing heritage organisations will begin in October.

The Steps to Sustainability programme, delivered by the Social Enterprise Academy, will see 30 heritage organisations receive support to strengthen their strategic leadership and income-generating skills.

The programme’s previous two rounds supported 110 learners across the UK, with 86% reporting an increase in confidence when implementing an income generating idea.

Participating organisations will have the chance to apply for a funding grant of up to £10,000 to incentivise increased trading income during and immediately after the programme.

"With the additional impact of Covid-19, a culture of enterprise to build a sustainable and resilient heritage sector is needed now more than ever," a Social Enterprise Academy spokesperson said.

'Recontextualised' portrait of slave owner back on display

02 Aug 2022

A portrait of slave owner Sir Thomas Picton has gone back on display at the National Museum of Cardiff alongside newly commissioned artworks and information that “reframes” his place in history.

The portrait is one of 209 memorials to people with links to slavery identified in Wales after a 2020 audit. It was removed last November.

The new exhibit, which sees the portrait displayed in a large wooden box with one side missing, was organised after consultation with the Sub-Sahara Advisory Panel (SSAP), which was invited to decide the future of the artwork.

The panel deemed that the work should be displayed alongside information about Picton’s actions as a slave owner in Trinidad, which included the torture of Luisa Calderon, a 14-year-old-girl, the torture of a second slave named Thisbe and the murder and posthumous dismemberment of a slave named Present.

The museum commissioned Trinidadian artists Gesiye and Miguela Gonzalez to create new artworks that reframe Picton’s legacy and give a voice to his victims.

Gesiye, who is from Trinidad and Tobago and has Nigerian heritage, created a short film and eight photographic portraits of Trinidadians baring tattoos. She found people willing to be tattoed for the project by advertising in newspapers and putting up flyers on the streets on Bristol.

“I'm using tattooing to kind of bring people together to share this connected story, but also to create a space where we feel safe to have these conversations about things that are usually quite painful and that we might otherwise avoid talking about,” she told the BBC.

Gonzalez created a large installation inspired by the Ol’ Mas traditions of the Trinidad and Tobago Carnival. It is an ancestral work that honours African traditions. 

“This is not a response to Picton himself, this is our understanding of our history and this is us filling in the gaps of a story,” she told the BBC.

The museum’s curator Dr Kath Davies said that “there are no neat narratives”. 

“I think what you'll see here today is an exhibition which tries to cover all the aspects of Picton's life and Picton's activity, and I think it'll be up to the audience to make their minds up,” she told the BBC.

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